Stephen Lloyd – författare

This is the first study of the life and music of Balfour Gardiner (1877-1950), a composer of some distinction and a generous patron of British music. But it is necessarily more than the story of just one man: it is an account of many friendships (chiefly musical) during that exciting period of British music's struggle out of mediocrity to prominence. It was Balfour Gardiner who, before the First World War, launched in Queen's Hall a remarkable series of concerts that did much to establish the reputations of several young composers. It was he, too, who made possible in a war-torn England the first performance of Holst's The Planets, and who gave considerable assistance to his close friend Delius, the plight of whose last years forms a tragic undercurrent to this book. Stephen Lloyd brings to light for the first time the full story of this once greatly respected musician and benefactor. He has traced Gardiner's student days in Germany, his early struggles as a composer, his involvement first in the folk-song movement and later with the ill-fated Musical League, his extensive patronage of music, his dabbling in architecture, and his eventual forsaking of composition for afforestation, which proved an equally remarkable undertaking.

High school can be hell. Literally.A demonic detective novel best devoured in a single sitting--from acclaimed TV writer Stephen Lloyd.    Welcome to Danforth Putnam, boarding school for the elite, sprawled across its own private island off the coast of New England. Sam, a war vet who feels sure he’s seen it all, has been called here to find a stolen rare book. But as he corners D&D nerds, grills steroid-raging linemen, and interviews filthy-rich actresses, he soon senses that something far stranger—“witchy”, in fact—is afoot. When students start to meet mysterious and gruesome deaths, Sam realizes just how fast the clock is ticking.     After joining forces with plucky, epilepsy-defying school reporter Harriet, Sam ventures into increasingly dark territory, unravelling a supernatural mystery that will upend everything he thinks he knows about this school—and then shatter his own reality.     Toss Dracula into a blender, throw in a shot of hard-boiled detective fiction, splash in a couple drops of Stranger Things, and pour yourself a nice tall glass of Friend of the Devil.

An edited volume devoted to the reception and reputation of Edinburgh’s premier Enlightenment portrait painter.Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. However, outside Scotland, the artist rarely makes more than a fleeting appearance in survey books about portraiture. A review of the most recent exhibition devoted to the artist held in Edinburgh and London during 1997/8, noted that it wears the aspect of a closure rather than a new dawn’ in Raeburn studies, with the painter being shown ‘in solitary splendour’.This volume seeks to recover Raeburn from his artistic isolation by looking at his local and international reception and reputation, both in his lifetime and posthumously. It focuses as much on Edinburgh and Scotland as on metropolitan markets and cosmopolitan contexts. Previously unpublished archival material will be brought to light for the first time, especially from the Innes of Stow papers and the archives of the dukes of Hamilton.Key Features* 14 chapters each looking at different aspects of Raeburn's professional career* International scholars contributing to Raeburn studies for the first time* Interdisciplinary perspectives setting a new agenda for Raeburn studies* Traditional art analysis integrated with cultural, social, political and economic history* Includes much unpublished archival materialKeywordsScotland, Raeburn, Enlightenment, portraiture, art, patronage, taste, collecting

This acclaimed biography draws on first-hand accounts, including new material on Walton's circle of the 20s and 30s; the composer's work in film a particular focus.When in June 1923 a bewildered audience in London's Aeolian Hall heard Edith Sitwell declaim her Façade poems through a megaphone, the 21-year-old William Walton - conducting behind a painted backcloth - stood on the threshold of fame. Throughout the 1920s and 1930s he was regarded as the white hope of British music, and a succession of works including the Viola Concerto, Belshazzar's Feast and the First Symphony more than fulfilled that early promise; he was also one of the first serious composers to be involved in films.Using first-hand accounts, this book explodes the myth of Façade's riotous reception, examines Walton's work in both films and radio and, through contemporary correspondence, articles and interviews - wherever possible in his own words - explores Walton's life and troubled times. It brings to the fore his complex personality - "remote, removed, distant" in Laurence Olivier's words, in dynamic contrast with music of such vitality and drama. Composition for him was an arduous, often painful, process riddled with difficulties, uncertainties and self-doubts, and further complicated by severallove affairs (one being with Italy) that inspired his finest works.STEPHEN LLOYD's previous books include a biography of H. Balfour Gardiner and a collection of Eric Fenby's writings on Delius, which he edited. In addition to record sleeve notes, programme notes, reviews and articles, he has contributed to the Percy Grainger Companion, the Studies in Music Grainger Centennial Volume, An Elgar Companion, and volumes on Delius, Waltonand Bliss.

An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical historyHubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer.The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster.The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing.STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.

Is Darwin a tool of Satan or a voice of reason? 2009 is the 150th anniversary of the publication of The Origin of Species and Christians continue to disagree about whether Darwinism should be baptized into our theology or rejected as a tool of Satan.Debating Darwin:Two Debates-is Darwinism True and Does it Matter? is aimed at Christians on both sides of the debate and hopes to further discussion. In this book two distinct questions are under the microscope 1. Is Darwinism compatible with orthodox Christian faith?2. Does the scientific evidence support Darwinism? The book begins with a simple explanation of the neo-Darwinian theory of evolution. Stephen Lloyd then opens the first debate by making a theological and biblical case against Darwinism. He is met in battle by Graeme Finlay and Stephen Pattemore who argue that Christian Scripture and theology are compatible with Darwinism. This book will not tell readers what to think but it will inform the more intelligent debate.

An indispensable biography for anyone interested in Constant Lambert, ballet and British musical life in the first part of the twentieth century.Association for Recorded Sound Collections Award of Excellence - Certificate of Merit in Historical Recorded Sound Research in Classical MusicTo the economist and ballet enthusiast John Maynard Keynes he was potentially the most brilliant man he'd ever met; to Dame Ninette de Valois he was the greatest ballet conductor and advisor this country has ever had; to the composer Denis ApIvor he was the greatest, most lovable, and most entertaining personality of the musical world; whilst to the dance critic Clement Crisp he was quite simply a musician of genius. Yet sixty years after his tragic earlydeath Constant Lambert is little known today. As a composer he is remembered for his jazz-inspired The Rio Grande but little more, and for a man who selflessly devoted the greater part of his life to the establishment of English ballet his work is largely unrecognized today. This book amply demonstrates why he deserves to be held in greater renown.With numerous music examples, extensive appendices and a unique iconography, every aspect of thecareer and life of this extraordinary, multi-talented man is examined. It looks not only at his music but at his journalism, his talks for the BBC, his championing of jazz (in particular Duke Ellington), and - more privately - his long-standing affair with Margot Fonteyn. This is an indispensable biography for anyone interested in Constant Lambert, ballet and British musical life in the first part of the twentieth century.STEPHEN LLOYD is a writer on British music and author of William Walton: Muse of Fire (Boydell, 2001).

Portrait Miniatures from the Merchistion Collection is the fifth in a series of titles which examines the portrait miniature. This collection, which has never been on public display, was assembled on the London art market during the 1970s and 1980s. Scottish miniaturists from the late eighteenth and early nineteenth centuries are particularly well represented with fine works by Scouler, Bogle, and Skirving and Sir William Charles Ross. Of outstanding interest is Nicholas Hilliard's matching pair of tiny lockets of Queen Elizabeth and her admirer Robert Dudley, Earl of Leicester. Stephen Lloyd's essay discusses the formation of the collection and the impact of the invention of photography on the art of miniature painting. It also explores the social history of the miniature. Twenty of the key works are illustrated in colour, with extended captions, and a complete list of the collection is also included.