Stephen Marino – författare

Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller's most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader's Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.

Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller''s most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader''s Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.

Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller''s most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader''s Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.Readers of the work of Arthur Miller will be familiar with the presence of NYC in much of his work. In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood – formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens – into art.A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr. Peter’s Connections all have settings in which the characters’ interactions with the cityscape significantly determine the events of the plays.Miller was also a prodigious fiction writer, and New York features in his two longer works of fiction: his only novel, Focus, is set in the borough of Queens and boldly confronts the issue of American anti-Semitism, and the novella, Homely Girl, A Life, creates a sweeping landscape of time and emotion in Manhattan. Many of Miller’s short stories depict New York settings that are catalysts for the main characters’ conflicts.An evocative set of images from Miller's times and from the present period bring the character of New York City into sharp relief and trace its evolution over a century of change.

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.Readers of the work of Arthur Miller will be familiar with the presence of NYC in much of his work. In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood – formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens – into art.A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr. Peter’s Connections all have settings in which the characters’ interactions with the cityscape significantly determine the events of the plays.Miller was also a prodigious fiction writer, and New York features in his two longer works of fiction: his only novel, Focus, is set in the borough of Queens and boldly confronts the issue of American anti-Semitism, and the novella, Homely Girl, A Life, creates a sweeping landscape of time and emotion in Manhattan. Many of Miller’s short stories depict New York settings that are catalysts for the main characters’ conflicts.An evocative set of images from Miller's times and from the present period bring the character of New York City into sharp relief and trace its evolution over a century of change.

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.Readers of the work of Arthur Miller will be familiar with the presence of NYC in much of his work. In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens into art.A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr. Peter's Connections all have settings in which the characters' interactions with the cityscape significantly determine the events of the plays. Miller was also a prodigious fiction writer, and New York features in his two longer works of fiction: his only novel, Focus, is set in the borough of Queens and boldly confronts the issue of American anti-Semitism, and the novella, Homely Girl, A Life, creates a sweeping landscape of time and emotion in Manhattan. Many of Miller's short stories depict New York settings that are catalysts for the main characters' conflicts.An evocative set of images from Miller's times and from the present period bring the character of New York City into sharp relief and trace its evolution over a century of change.

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.Readers of the work of Arthur Miller will be familiar with the presence of NYC in much of his work. In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens into art.A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr. Peter's Connections all have settings in which the characters' interactions with the cityscape significantly determine the events of the plays. Miller was also a prodigious fiction writer, and New York features in his two longer works of fiction: his only novel, Focus, is set in the borough of Queens and boldly confronts the issue of American anti-Semitism, and the novella, Homely Girl, A Life, creates a sweeping landscape of time and emotion in Manhattan. Many of Miller's short stories depict New York settings that are catalysts for the main characters' conflicts.An evocative set of images from Miller's times and from the present period bring the character of New York City into sharp relief and trace its evolution over a century of change.

Arthur Miller for the Twenty-First Century: Contemporary Views of His Writings and Ideas brings together both established Miller experts and emerging commentators to investigate the sources of his ongoing resonance with audiences and his place in world theatre. The collection begins by exploring Miller in the context of 20th-century American drama. Chapters discuss Miller and Eugene O’Neill, Tennessee Williams, Edward Albee, David Mamet, and Sam Shepard, as well as thematic relationships between Miller’s ideas and the explosion of significant women and African American dramatists since the 1970s. Other essays focus more directly on interpretations of Miller’s individual works, not only plays but also essays and fiction, including a discussion of Death of a Salesman in China. The volume concludes by considering Miller and current cultural issues: his work for human rights, his depiction of American ideals of masculinity, and his anticipation of contemporary posthumanism.