Stephen Ross – författare

A harrowing array of scary stories that all have one thing in common: each either begins or ends with a scream!R.L. Stine—the godfather of Goosebumps—and some of the most popular authors today bring an unrivaled mastery of all things fearsome, frightening, and fantabulous to this terrifying anthology of all-new scary short stories.Scream and Scream Again! is full of twists and turns, dark corners, and devilish revenge. Collected in conjunction with the Mystery Writers of America, this set includes works from New York Times bestselling authors telling tales of wicked ice-cream trucks, time-travelling heroes, witches and warlocks, and of course, haunted houses.Read it if you dare! With twenty never-before-published scary stories from some of the most popular authors today—including Chris Grabenstein, Wendy Corsi Staub, Heather Graham, Peter Lerangis, R.L. Stine, Bruce Hale, Emmy Laybourne, Steve Hockensmith, Lisa Morton, Ray Daniel, Beth Fantaskey, Phil Mathews, Carter Wilson, Doug Levin, Jeff Soloway, Joseph S. Walker, Alison McMahan, Daniel Palmer, Tonya Hurley, and Stephen Ross—it’s sure to leave readers screaming for more.

This South African edition of Fundamentals of Corporate Finance provides a modern, unified treatment of corporate financial management. Its managerial focus prepares students for the pragmatic decision making and judgement needed as a financial manager – establishing a sound understanding of how to maximise the value of an organisation and avoid possible pitfalls.

Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements. These engagements invariably come packaged in, and are shaped by, the language of spectrality. In its capacity to articulate a particular sort of relationship between the past, the present and the future, the spectral concerns the basic question of how to proceed, how to live with-maybe even address-ethical indeterminacy. Whether their spectral rhetoric traces the logics of capitalist possession (Conrad), queer "friendship" and paganized Christianity (Forster), regressive politics haunted by historical traumas (Butts), or the devious passages of perverse desire (Bowen), these writers locate something like hope in their ghosts. The ethical and political impasses they chart through their spectral rhetoric are not final, but temporary, and the drive to overcome them constitutes a tensile optimism.

Chimpanzees fascinate people for many reasons. We are struck by the apes’ resemblance to humanity, as seen in their use of tools and their complex social lives, and we are moved by the threats that human activity poses to them. Our awareness of our closest living relatives testifies to the efforts of the remarkable people who study these creatures and work to protect them. What motivates someone to dedicate their lives to chimpanzees? How does that reflect on our own species?This book brings together a range of chimpanzee experts who tell powerful personal stories about their lives and careers. It features some of the world’s preeminent primatologists—including Jane Goodall and Frans de Waal—as well as representatives of a new generation from varied backgrounds. In addition to field scientists, the book features anthropologists, biologists, psychologists, veterinarians, conservationists, and the director of a chimpanzee sanctuary. Some grew up in the English countryside, others in villages in Congo; some first encountered chimpanzees in a zoo, others in the forests surrounding their homes. All are united by a common purpose: to study and understand chimpanzees in order to protect them in the wild and care for them in zoos and sanctuaries. Contributors share what inspired them, what shaped their career choices, and what motivates them to strive for solutions to the many challenges that chimpanzees face today.

Chimpanzees fascinate people for many reasons. We are struck by the apes’ resemblance to humanity, as seen in their use of tools and their complex social lives, and we are moved by the threats that human activity poses to them. Our awareness of our closest living relatives testifies to the efforts of the remarkable people who study these creatures and work to protect them. What motivates someone to dedicate their lives to chimpanzees? How does that reflect on our own species?This book brings together a range of chimpanzee experts who tell powerful personal stories about their lives and careers. It features some of the world’s preeminent primatologists—including Jane Goodall and Frans de Waal—as well as representatives of a new generation from varied backgrounds. In addition to field scientists, the book features anthropologists, biologists, psychologists, veterinarians, conservationists, and the director of a chimpanzee sanctuary. Some grew up in the English countryside, others in villages in Congo; some first encountered chimpanzees in a zoo, others in the forests surrounding their homes. All are united by a common purpose: to study and understand chimpanzees in order to protect them in the wild and care for them in zoos and sanctuaries. Contributors share what inspired them, what shaped their career choices, and what motivates them to strive for solutions to the many challenges that chimpanzees face today.

The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field. Incorporating an international scope of essays, this volume reaches beyond traditional national or euroamerican boundaries to locate North American Indigenous modernities and modernisms in a hemispheric context. Covering key theoretical approaches and topics, this volume includes:Diverse explorations of Indigenous cultural and intellectual production in treatments of dance, poetry, vaudeville, autobiography, radio, cinema, and moreInvestigation of how we think about Indigenous lives, literatures, and cultural productions in North America from the late nineteenth and early twentieth centuriesSurveys of critical geographies of Indigenous literary and cultural studies, including refocused and reframed exploration of the diverse cultures, knowledges, traditions, geographies, experiences, and formal innovations that inform Indigenous literary, intellectual, and cultural productionsThe Routledge Handbook of North American Indigenous Modernisms presents fresh insight to modernist studies, acknowledging and reconciling the occluded histories of Indigenous erasure, and inviting both students and scholars to expand their understanding of the field.Runner up for the Carter Revard Legacy Award for Best Edited Collection from the Association for the Study of American Indian Literatures (ASAIL)

The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field. Incorporating an international scope of essays, this volume reaches beyond traditional national or euroamerican boundaries to locate North American Indigenous modernities and modernisms in a hemispheric context. Covering key theoretical approaches and topics, this volume includes:Diverse explorations of Indigenous cultural and intellectual production in treatments of dance, poetry, vaudeville, autobiography, radio, cinema, and moreInvestigation of how we think about Indigenous lives, literatures, and cultural productions in North America from the late nineteenth and early twentieth centuriesSurveys of critical geographies of Indigenous literary and cultural studies, including refocused and reframed exploration of the diverse cultures, knowledges, traditions, geographies, experiences, and formal innovations that inform Indigenous literary, intellectual, and cultural productionsThe Routledge Handbook of North American Indigenous Modernisms presents fresh insight to modernist studies, acknowledging and reconciling the occluded histories of Indigenous erasure, and inviting both students and scholars to expand their understanding of the field.Runner up for the Carter Revard Legacy Award for Best Edited Collection from the Association for the Study of American Indian Literatures (ASAIL)

Modernism and Theory boldly asks what – if any – role theory has to play in the new modernist studies. Separated into three sections, each with a clear introduction, this collection of new essays from leading critics outlines ongoing debates on the nature of modernist culture.This collection examines aesthetic and methodological links between modernist literature and theory. addresses questions of the importance of theory to our understanding of ‘modernism’ and modernism as a literary category. considers intersections of modernism and theory within ethics, ecocriticism and the avant-garde. Concluding with an afterword from Fredric Jameson, the book makes use of an innovative dialogic format, offering a direct and engaging experience of the current debate in modernist studies. Contributors include: Charles F. Altieri, C.D. Blanton, Ian Buchanan, Pamela Caughie, Melba Cuddy-Keane, Thomas S. Davis, Oleg Gelikman, Jane Goldman, Ben Highmore, Fredric Jameson, Martin Jay, Bonnie Kime Scott, Neil Levi, Anneleen Masschelein, Scott McCracken, Andrew John Miller, Stephen Ross, Roger Rothman, Morag Shiach, Susan Stanford Friedman, Allan Stoekl, Hilary Thompson and Glenn Willmott.

Modernism and Theory boldly asks what – if any – role theory has to play in the new modernist studies. Separated into three sections, each with a clear introduction, this collection of new essays from leading critics outlines ongoing debates on the nature of modernist culture.This collection examines aesthetic and methodological links between modernist literature and theory. addresses questions of the importance of theory to our understanding of ‘modernism’ and modernism as a literary category. considers intersections of modernism and theory within ethics, ecocriticism and the avant-garde. Concluding with an afterword from Fredric Jameson, the book makes use of an innovative dialogic format, offering a direct and engaging experience of the current debate in modernist studies. Contributors include: Charles F. Altieri, C.D. Blanton, Ian Buchanan, Pamela Caughie, Melba Cuddy-Keane, Thomas S. Davis, Oleg Gelikman, Jane Goldman, Ben Highmore, Fredric Jameson, Martin Jay, Bonnie Kime Scott, Neil Levi, Anneleen Masschelein, Scott McCracken, Andrew John Miller, Stephen Ross, Roger Rothman, Morag Shiach, Susan Stanford Friedman, Allan Stoekl, Hilary Thompson and Glenn Willmott.

The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume.The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.

The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. Over 60 new essays are equally divided to address literature, visual arts, theatre, dance, architecture, music and film, with a final section drawing these together as 'intellectual currents'. The book also covers a variety of 'modernisms' from around the globe, drawing innovative links and connections to paint a picture of the 'Modernist World'. A clear and detailed introduction introduces the terrain, as well as pointing out the plurality and adaptability of the area. The Modernist World is essential reading for both beginners and more advanced scholars in the area - offering clear introductions alongside new and refreshing insights.

Essentials of Corporate Finance focuses on what undergraduate students with widely varying backgrounds need to carry away from a core course in business or corporate finance. The goal is to convey the most important concepts at a level that is approachable for the widest possible audience. Essentials is written in a relaxed, conversational style that invites the students to join in the learning process rather than being a passive information absorber.Essentials has three basic themes as a central focus: An Emphasis on Intuition: We always try to separate and explain the principles at work on a commonsense, intuitive level before launching into any specifics. A Unified Valuation Approach: We treat net present value (NPV) as the basic concept underlying corporate finance. A Managerial Focus: Students shouldn’t lose sight of the fact that financial management concerns management. We emphasize the role of the financial manager as decision-maker, and we stress the need for managerial input and judgment.

Essentials of Corporate Finance by Ross, Westerfield, and Jordan provides a streamlined introduction to the core concepts of corporate finance, focusing on what students from diverse backgrounds need to know. Written in a relaxed, conversational style, the text invites active learning and emphasizes three key themes: intuition, a unified valuation approach, and a managerial focus. Complex financial principles are explained at an intuitive level, with net present value (NPV) as the foundation of corporate finance. By focusing on the role of the financial manager as a decision-maker, the book prepares students to apply these concepts in real-world scenarios.

Corporate Finance: Core Principles and Applications wasdeveloped for the graduate (MBA) level as a concise, up-to-date, andto-the-point product, the majority of which can be realistically covered in asingle term or course.  To achieve theobjective of reaching out to the many different types of students and thevarying course settings, corporate finance is distilled down to its core, whilemaintaining a decidedly modern approach. Purely theoretical issues aredownplayed, and the use of extensive and elaborate calculations is minimized toillustrate points that are either intuitively obvious or of limited practicaluse. The goal was to focus on what students really need to carry away from aprinciples course. A balance is struck by introducing and covering theessentials, while leaving more specialized topics to follow-up courses. Netpresent value is treated as the underlying and unifying concept in corporatefinance. Every subject covered is firmly rooted in valuation, and care is takenthroughout to explain how particular decisions have valuation effects. Also,the role of the financial manager as decision maker is emphasized, and the needfor managerial input and judgment is stressed.

Corporate Finance, by Ross, Westerfield, Jaffe, Jordan, was written for the corporate finance course at the MBA level and the intermediate course in many undergraduate programs. The text emphasizes the modern fundamentals of the theory of finance while providing contemporary examples to make the theory come to life. The authors aim to present corporate finance as the working of a small number of integrated and powerful intuitions rather than a collection of unrelated topics. They develop the central concepts of modern finance: arbitrage, net present value, efficient markets, agency theory, options, and the trade-off between risk and return, and use them to explain corporate finance with a balance of theory and application. 

Fundamentals of Corporate Finance was designed and developed for a first course in business or corporate finance, for both finance majors and non-majors alike. The text is nearly self-contained in terms of background or prerequisites, assuming some familiarity with basic algebra and accounting concepts, while still reviewing important accounting principles very early on. The organization of this text has been developed to give instructors the flexibility they need.  The best-selling text has three basic themes that are the central focus of the book:  1) An emphasis on intuition: the authors separate and explain the principles at work on a common sense, intuitive level before launching into any specifics.  2) A unified valuation approach: net present value (NPV) is treated as the basic concept underlying corporate finance.   3) A managerial focus: the authors emphasize the role of the financial manager as a decision maker, and they stress the need for managerial input and judgment.  When paired with Connect, it has student success and career readiness resources that include Finance Prep Course, Algorithmic Integrated Excel, Application-Based Activities, Tableau Dashboard Activities, multiple video types, Guided Examples, and SmartBook, an adaptive reading and practice tool for students. 

The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group – the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and their works opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.

From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many subcultures of Britain’s teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers.In this vivid work of cultural history, Stephen Ross explores:· The manic teenage vision of Absolute Beginners· The Angry Young Men of Saturday Night and Sunday Morning· Skinheads and Burgess’s A Clockwork Orange· Irony and authenticity in the 1980s – from Amis to Kureishi· Heroin chic, disaffection and TrainspottingExamining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today.

From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many subcultures of Britain’s teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers.In this vivid work of cultural history, Stephen Ross explores:· The manic teenage vision of Absolute Beginners· The Angry Young Men of Saturday Night and Sunday Morning· Skinheads and Burgess’s A Clockwork Orange· Irony and authenticity in the 1980s – from Amis to Kureishi· Heroin chic, disaffection and TrainspottingExamining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today.

The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group – the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and how their works are opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.

Introducing readers to a new theory of ‘responsible reading’, this book presents a range of perspectives on the contemporary relationship between modernism and theory. Emerging from a collaborative process of comment and response, it promotes conversation among disparate views under a shared commitment to responsible reading practices.An international range of contributors question the interplay between modernism and theory today and provide new ways of understanding the relationship between the two, and the links to emerging concerns such as the Anthropocene, decolonization, the post-human, and eco-theory.Promoting responsible reading as a practice that reads generously and engages constructively, even where disagreement is inevitable, this book articulates a mode of ethical reading that is fundamental to ongoing debates about strength and weakness, paranoia and reparation, and critique and affect.

Introducing readers to a new theory of ‘responsible reading’, this book presents a range of perspectives on the contemporary relationship between modernism and theory. Emerging from a collaborative process of comment and response, it promotes conversation among disparate views under a shared commitment to responsible reading practices.An international range of contributors question the interplay between modernism and theory today and provide new ways of understanding the relationship between the two, and the links to emerging concerns such as the Anthropocene, decolonization, the post-human, and eco-theory.Promoting responsible reading as a practice that reads generously and engages constructively, even where disagreement is inevitable, this book articulates a mode of ethical reading that is fundamental to ongoing debates about strength and weakness, paranoia and reparation, and critique and affect.