Steve Beard – författare

A journey throughthe sixty-mile longghost of a dragon.Meet Cady Meade, captain of the steam-launch,Juniper. In her heyday she carried people and goodson the river Nysis, from the thriving seaports of theestuary into Ludwich, the capital city. But that wasyears ago. Now she’s drunk, holed up in a rundownseaside resort, telling her bawdy tales for shots of rum.All this changes, when two strangers seek her out,asking for transport: a young girl, very ill, and ingrave danger, and an artificial being of singularcharacter with secrets hidden inside his crystal skull.But the Nysis is unlike any other river. Few cannavigate its channels, whirlpools and sandbanks; few knowof the ravenous creatures that lurk beneath the surface.And Cady’s glory days are well behind her now…File Under: Fantasy [ Peake Fantasy | Secret Mythologies | Take Me to the River | Another London ]

Rachel's Children is a true story, based on real events. It is an engaging and humorous account of a contemporary Ojibwa household and the woman and her children who are at its core. As their lives unfold, we understand how traditional beliefs and oral history help Rachel and her family cope as they encounter racism and educational discrimination in rural northern Michigan. When a white educator arrives in RachelOs household to learn about 'Indians,' she discovers the harsh reality of backwoods life. Beardslee is the queen of sucker punches—she writes in an unexpected combination of ethnography, theatrical script, and novel, echoing the Ojibwa style of storytelling. Her absorbing story about survival of the Native American family encourages a greater understanding of cultural diversity, and will be valuable for instructors in Native studies, multicultural education, womenOs studies, and anthropology.

Rachel's Children is a true story, based on real events. It is an engaging and humorous account of a contemporary Ojibwa household and the woman and her children who are at its core. As their lives unfold, we understand how traditional beliefs and oral history help Rachel and her family cope as they encounter racism and educational discrimination in rural northern Michigan. When a white educator arrives in RachelOs household to learn about 'Indians,' she discovers the harsh reality of backwoods life. Beardslee is the queen of sucker punches—she writes in an unexpected combination of ethnography, theatrical script, and novel, echoing the Ojibwa style of storytelling. Her absorbing story about survival of the Native American family encourages a greater understanding of cultural diversity, and will be valuable for instructors in Native studies, multicultural education, womenOs studies, and anthropology.

In Not Far Away, a semi-fictional memoir, Lois Beardslee gives a chilling acount of racism, particularly that leveled against Native women, in language that is supple, evocative, often comical, and always incisive. Her fictional heroine, the teacher Ima Pipiig (pronounced "buh-BEEG"), endures humiliating insults from school administrators, fellow teachers, students, and callous neighbors. For years, she suffers in silence, believing that opposing bigotry would only fuel its caustic flames—but then she begins to speak out. Scattered among the chapters chronicling Ima's experiences are essays and speeches written by the author herself, blurring the line between fiction and fact and creating a kind of resounding echo of resistance that is the author's response to racism.

In Not Far Away, a semi-fictional memoir, Lois Beardslee gives a chilling acount of racism, particularly that leveled against Native women, in language that is supple, evocative, often comical, and always incisive. Her fictional heroine, the teacher Ima Pipiig (pronounced "buh-BEEG"), endures humiliating insults from school administrators, fellow teachers, students, and callous neighbors. For years, she suffers in silence, believing that opposing bigotry would only fuel its caustic flames—but then she begins to speak out. Scattered among the chapters chronicling Ima's experiences are essays and speeches written by the author herself, blurring the line between fiction and fact and creating a kind of resounding echo of resistance that is the author's response to racism.

Luluda tells the story of a journey through a strange modern city whose power is sourced from the ghost of a dragon. Ludwich may no longer be at war with its great political rival overseas, but veteran sailor Cady Meade, survivor of many battles, suspects that the hard-won peace is about to break. She promises to deliver a preternatural ten-year old girl to a coming-of-age festival in the heart of Ludwich. But she has been warned by the prophets that dangers lie ahead.Cady suspects that the young girl’s fate is entwined with that of the city. When the girl disappears, the old sailor must hunt her down, accompanied by a know-it-all mechanical man whose circuits are slowly grinding to dust. But Cady’s mission has always been to guard Ludwich from enemies both known and occult, and she will never give up.Following the course of the River Nysis through the city, and beyond, Cady must uncover the final mysteries of the great dragon Haakenur's life and death and afterlife. Her greatest battle is about to begin.