Steve Erickson – författare

A LA TIMES'' BEST BOOK OF 2017 (FICTION)"A beautiful, moving, strange examination of apocalypse and rebirth.” - Neil Gaiman"Erickson has mobilized so much of what feels pressing and urgent about the fractured state of the country in a way that feels fresh and not entirely hopeless, if only because the exercise of art in opposition to complacent thought can never be hopeless." - New York Times Book ReviewA chronicle of a weird road trip, a provocative work of alternative history, and a dazzling discography of the twentieth and twenty-first centuries, encompassing artists from Louis Armstrong and Billie Holliday to Bob Dylan and Bruce Springsteen, SHADOWBAHN is a richly allusive meditation on the meaning of American identity and of America itself."Jaw-dropping," says Jonathan Lethem (Granta).

Our Ecstatic Days begins as the memoir of a young mother desperate to forget a single act, committed out of love and fear, that has changed forever the world around her. In the waning days of summer, a lake appears, almost overnight, in the middle of Los Angeles. In an instant of either madness or revelation, convinced that the lake means to take her small son from her, Kristin becomes determined to stop it. Three thousand miles away, on the eve of a momentous event, another young woman -- with a bond to Kristin that she can''t even know -- meets a mysterious figure who announces in the dark, "The Age of Chaos is here." Against a forbidden landscape that shimmers with destiny and yearning, Our Ecstatic Days finally takes place on the terrain of a defiant heart. Human connections multiply into astonishing twists of fate -- by which the wrongs of an obsolete century may be set right -- and parallel lives spin faster toward the possibility that they will once again unite, electrifying a vision of the century to come.

A “brilliant” novel about an alternate America that has been split in two (San Francisco Chronicle). In a dystopian Los Angeles, Cale is a newly released political prisoner under surveillance. Beset by dark visions and relegated to working in a desolate library, he’s told, without explanation, that he’s “the one everyone’s looking for.” For Catherine, a mysterious South American beauty, the crossing is no less extreme: Leaving her tribal life, she undergoes various confinements and escapes before winding up at the door of a Hollywood screenwriter. Finally Jack Mick Lake, possessed by numerology, must negotiate a river all his own. Stark and ethereal, Steve Erickson’s tales connect to form a luminous and passionate whole.

The course of a century is rewritten in this fabulously warped odyssey, named a best book of the year by the New York TimesTours of the Black Clock is a wild dream of the twentieth century as told by the ghost of Banning Jainlight. After a disturbing family secret is unearthed, Jainlight throws his father out of a window and burns down the Pennsylvania ranch where he grew up. He escapes to Vienna where he is commissioned to write pornography for a single customer identified as “Client X,” which alters the trajectory of World War II. Eventually Jainlight is accompanied by an aged and senile Adolf Hitler back to America, where both men pursue the same lover. Tours of the Black Clock is a story in which history and the laws of space and time are unforgettably transformed.

In a desperate effort to liberate herself, a fourteen-year-old slave—mistress to the man who invented America—finds herself flung into a different time and worldSteve Erickson’s provocative reimagining of American history, Arc d’X begins with the relationship between Thomas Jefferson and Sally Hemings. With “skin . . . too white to be quite black and too black to be quite white,” Sally is loved only to the extent that she can be possessed, and finds hope only in the promise that her children’s lives will be different from her own. The couple’s paradox-riven union echoes through the ages and in an alternate epoch where time plays by other rules. In Aeonopolis, a theocratic city at the foot of a volcano, priests seek to have Sally indicted, and in an emptied-out Berlin, the Wall is being rebuilt. Dizzyingly imaginative, Arc d’X is an unrivaled exploration of “the pursuit of happiness.”

“If you read one philosophical-doomsday kinky-sex road-trip novel this year, make it this one.” —SalonIt’s New Year’s Eve 1999, and the members of a powerful cult are about to commit ritual suicide. Fleeing their ranks at the final moment, teenager Kristin lands in Tokyo, where she gains employment listening to clients’ stories in a “memory hotel” designed to address the decay of Japanese collective memory after the Second World War. But Kristin herself has a startling odyssey: Among other things, it involves answering a personal ad only to wind up imprisoned, naked, in an empty house presided over by a man known as the Occupant, hard at work on a millennial calendar that has serious implications for the future. The Sea Came in at Midnight is a breathtaking fable of redemption and one of Erickson’s most impressive visions to date.

The novel that inspired the film starring James Franco and Seth Rogen: “One of a kind . . . a funny, unnervingly surreal page turner” (Newsweek).   Named one of the Best Books of the Year by the Washington Post Book World, Newsweek, and the Los Angeles Times Book Review  Zeroville centers on the story of Vikar, a young architecture student so enthralled with the movies that his friends call him “cinéautistic.” With an intensely religious childhood behind him, and tattoos of Elizabeth Taylor and Montgomery Clift on his head, he arrives in Hollywood—where he’s mistaken for a member of the Manson family and eventually scores a job as a film editor. Vikar discovers the frames of a secret film within the reels of every movie ever made, and sets about splicing them together—a task that takes on frightening theological dimensions. Electrifying and “darkly funny,” Zeroville dives into the renegade American cinema of the 1970s and ’80s and emerges into an era for which we have no name (Publishers Weekly).   “Funny, disturbing, daring . . . dreamlike and sometimes nightmarish.” —The New York Times Book Review   “Magnificent.” —The Believer   “[A] writer who has been compared to Vladimir Nabokov, Don DeLillo, and Thomas Pynchon.” —Bookmarks Magazine   “Erickson is as unique and vital and pure a voice as American fiction has produced.” —Jonathan Lethem

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