Steve Haberman – författare

Mid-1940, the darkest of the nights for Britain during WWII. Adolf Hitler's unstoppable military has conquered most of Europe, including France, only twenty miles from the English coast. It is now set to conquer the island-nation itself. Plotting to aid this onslaught, a German spy lurks somewhere within Winston Churchill's government.​Such is the dire news an emissary of the prime minister secretly brings to disgraced Churchill bodyguard, Jonas Shaw, an ex-New York City detective, along with a plea: help discover the agent before the Nazis invade.  Shaw has faced many challenges in his eventful life, but none as dangerous and fateful as this one, helping save Western civilization.  First in a series.​

The Masque of the Red Death (1964), the seventh collaboration between producer-director Roger Corman and horror icon Vincent Price, became the crowning achievement for both men, their masterpiece. After the critical and commercial success of House of Usher in 1960, Corman fervently desired to adapt Edgar Allan Poe’s story, ‘The Masque of the Red Death’ as his next project, but the tale took three years to finally become, not Corman’s second Poe film, but his second to last. Its long development benefitted the end result, and the story of its making reveals the persistence and vision of Corman, the artist and entrepreneur of classic horror. In this Devil’s Advocate, Steve Haberman takes an auteurist approach to the film with Corman as the ultimate author of the work. He explores the emergence of Corman’s themes and techniques through directorial control and compares them with the intentions and concerns of the story’s original creator, Poe. In his research, Haberman secured both drafts of the script, the first by Charles Beaumont and the last by R. Wright Campbell, consulted published interviews and met with Corman. The result illuminates not only the film but the profound and profoundly dark world views of both Roger Corman and Edgar Allan Poe.

The Masque of the Red Death (1964), the seventh collaboration between producer-director Roger Corman and horror icon Vincent Price, became the crowning achievement for both men, their masterpiece. After the critical and commercial success of House of Usher in 1960, Corman fervently desired to adapt Edgar Allan Poe’s story, ‘The Masque of the Red Death’ as his next project, but the tale took three years to finally become, not Corman’s second Poe film, but his second to last. Its long development benefitted the end result, and the story of its making reveals the persistence and vision of Corman, the artist and entrepreneur of classic horror. In this Devil’s Advocate, Steve Haberman takes an auteurist approach to the film with Corman as the ultimate author of the work. He explores the emergence of Corman’s themes and techniques through directorial control and compares them with the intentions and concerns of the story’s original creator, Poe. In his research, Haberman secured both drafts of the script, the first by Charles Beaumont and the last by R. Wright Campbell, consulted published interviews and met with Corman. The result illuminates not only the film but the profound and profoundly dark world views of both Roger Corman and Edgar Allan Poe.

A famous American woman journalist goes missing in 1946 post-war Berlin.  Her equally famous lover, a former Winston Churchill spy, sets out in the smashed capital of  Germany to find her.

It's 1947 in British-controlled Palestine.  Award-winning foreign correspondent, Charly Lawrence, and her lover, ex-Churchill bodyguard and spy, Jonas Shaw, arrive in the violent Promised Land. Their mission from her editor: track down a survivor of an infamous WWII German slaughter and write her heroic story.  This exclusive will hopefully rescue Charly's struggling newspaper.  Little do they realize they have landed in a heap of danger.

Jonas Shaw, ex New York detective, ex-Winston Churchill spy, gets a call from France at his Cotswold manor near London.  An old World War II friend has a brother-in-law who is a cop in a tiny hamlet.  A routine traffic stop on a country road has turned out to be far from routine.  Can Jonas fly out to investigate?  The answer will lead to one of the bloodiest events in the history of Paris that will echo for years.