Steve Haruch – författare
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In 1998, roughly 2 million visitors came to see what there was to see in Nashville. By 2018, that number had ballooned to 15.2 million.In that span of two decades, the boundaries of Nashville did not change. But something did. Or rather, many somethings changed, and kept changing, until many who lived here began to feel they no longer recognized their own city. And some began to feel it wasn't their own city at all anymore, pushed to its fringes by rising housing costs. Between 1998 and 2018, the population of Nashville grew by 150,000. On some level, Nashville has always packaged itself for consumption, but something clicked and suddenly everyone wanted a taste.But why Nashville? Why now? What changed to make all this change possible? This book is an attempt to understand those changes, or, if not to understand them, exactly, then to grapple with the question: What happened?
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Combining a cineaste's encyclopedic knowledge of film with a child's sense of wonder, Jim Ridley wrote about movies in a way few others can.He reveled in the joy and mischief of cinema, dwelled on its beauty and violence, and navigated the full breadth of its mythology with clarity and enduring curiosity that earned him the respect of critics around the country. At the time of his unexpected death in 2016, Ridley was editor-in-chief of the alt-weekly Nashville Scene, the paper where his incisive, wide-ranging film reviews won him a devoted readership beginning in 1989.People Only Die of Love in Movies takes its title from a line in the 1964 movie musical The Umbrellas of Cherbourg, the subject of one of Ridley's best-known pieces, included in this volume. In all, the anthology collects nearly one hundred of Ridley's film reviews, essays, and journalistic works, expertly organized by editor Steve Haruch into writing by film genre (e.g., Westerns, the Nouvelle Vague), cinematic theme (e.g., heroes, sexuality), and writing style (e.g., negative reviews, narrative journalism) to demonstrate Ridley's range.People Only Die of Love in Movies invites its readers to revisit favorite films, discover new loves, and immerse themselves in the unparalleled writing of a discerning and knowledgeable critic.