Steven Barfield – författare

Philip Pullman's His Dark Materials stands as a landmark in fantasy literature. Comprised of the novels The Golden Compass, The Subtle Knife, and The Amber Spyglass, the award-winning epic trilogy has been adapted for radio, stage, and film in both Britain and the United States, though it remains controversial for its negative depiction of religion. Herein, scholars from various literary, philosophical, and theatrical fields explore His Dark Materials, addressing numerous topics relevant to reading, studying and understanding the work, including its basis in Milton's Paradise Lost; the influence of science fiction on the series; issues of social class, religion, sexuality, and gender; postcolonial perspectives; and recent stage productions.

This is a collection of research by leading international scholars on Beckett, as well as younger academics, analyses a number of Beckett's poems, plays and short stories through consideration of mortality and death. Death is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the "The Unnamable". A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work."Beckett and Death" offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.

Death is indisputably central to Beckett''s writing and reception.  This collection of research considers a number of Beckett''s poems, novels, plays and short stories through considerations of mortality and death.  Chapters explore the theme of deathliness in relation to Beckett''s work as a whole, through three main approaches.  The first of these situates Beckett''s thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant ''poststructural'' readings of Beckett''s writing to the textual challenge exemplified by the The Unnamable. A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard''s Syndrome that recur in Beckett''s work.  Beckett and Death offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett''s literature.