E-bok
Engelska31 kr
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Steven Evans – författare
Visar alla böcker från författaren Steven Evans. Handla med fri frakt och snabb leverans.
8 produkter
8 produkter
- E-bokEngelska
11 kr
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- Häftad, Engelska, 2011
198 kr
Skickas inom 5-8 vardagar
- E-bokPDF, Engelska, 2012
734 kr
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In this volume, Steven Evans reports on a quarter century of work-work that resulted in a commercial product known as the PACE System. An advanced clinical management system, PACE links all care delivery set tings and reaches across multiple episodes. It offers capabilities critical to managed care, including care planning and clinical pathways, the critical pathway analyzer and clinical repository central to outcomes-based care, and more. The pages that follow describe the PACE project, focusing on its knowl edge base and semantic network. They offer insights into system implemen tation and address the synthesis of principles within the PACE System. From this project in nursing informatics, Steven Evans relates both suc cesses and failures, sharing the strategies and techniques to adopt and pitfalls to avoid in a project that followed five years of preliminary theo retical work. With clarity and candor, he gives us the benefit of two decades of project development, first in academia and then in the commercial sector. Over the course of the project, many tens of millions of dollars and close to 500 person-years of effort were invested. Building on the strong conceptual base developed at Creigton University''s School of Nursing, the project has seen exponential growth in its clinical capabilities since entering the commercial sector in 1989. - Häftad, Engelska, 2012
573 kr
Skickas inom 10-15 vardagar
In this volume, Steven Evans reports on a quarter century of work-work that resulted in a commercial product known as the PACE System. An advanced clinical management system, PACE links all care delivery set tings and reaches across multiple episodes. It offers capabilities critical to managed care, including care planning and clinical pathways, the critical pathway analyzer and clinical repository central to outcomes-based care, and more. The pages that follow describe the PACE project, focusing on its knowl edge base and semantic network. They offer insights into system implemen tation and address the synthesis of principles within the PACE System. From this project in nursing informatics, Steven Evans relates both suc cesses and failures, sharing the strategies and techniques to adopt and pitfalls to avoid in a project that followed five years of preliminary theo retical work. With clarity and candor, he gives us the benefit of two decades of project development, first in academia and then in the commercial sector. Over the course of the project, many tens of millions of dollars and close to 500 person-years of effort were invested. Building on the strong conceptual base developed at Creigton University's School of Nursing, the project has seen exponential growth in its clinical capabilities since entering the commercial sector in 1989. - Häftad, Engelska, 2019
160 kr
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- Inbunden, Engelska, 2027
540 kr
Kommande
FotoFest Biennial 2024 Critical Geography examines the power structures, inequality, and the dominant ideologies that shape physical space. By critically analyzing these forces, the publication stimulates conversations about social justice, environmental sustainability, and transformative change. The artistic practices featured in the book shed light on systemic oppression, violence, and pressing environmental issues, and encompass a wide range of image-based practices that make inequality visible in both colonial and postcolonial contexts, including mapping, social media, and technology. - Inbunden, Engelska, 2022
587 kr
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The FotoFest Biennial 2022 central exhibition, If I Had a Hammer, considers the ways artists utilize images to unpack the ideological underpinnings that inspire collective cultural movements around the globe. Together, the twenty-three included artists propose alternative techniques of seeing and engaging with the world, working with both conventional and new media to shed light on the systems that encourage social theories and political imaginaries to become dogma at the click of a shutter or tap of a button.
If I Had a Hammer explores both artistic and activist interventions into the structures of contemporary image-production, calling attention to how these structures both reflect and inform our perception of the world, historical narratives, and the agency to engage in collective cultural discourse. The exhibition proposes that the systems and structures that support ideological formation such as historical archives, digital media networks, sociopolitical organizing campaigns, and infrastructural and territorial developments, are inextricably linked to the history and development of photography and image technology. Through disparate approaches, the artists in If I Had a Hammer offer strategies to resist and replace legacies of colonialism, imperialism, and systemic violence by exploiting the language and material of image-production and media circulation. In doing so, the artists show how images can be used to both support progressive movements as well as reinforce and bolster systemic inequities.
The exhibition borrows its title from Pete Seegar and Lee Hayss 1949 protest song of the same name, which was written as a response to growing ideological divides and violence against progressive artists and thinkers in the U.S. during the era of Red Scare McCarthyism. Throughout this period, artists, activists, authors, and musicians, including Seegar and Hays, were made to testify in broadcasted congressional hearings and defend their right to free speech and protest. This exhibition uses the historical context within which If I Had a Hammer was written as a starting point to explore how those who assert ideological supremacy often do so by employing the very tools used by the communities and individuals they hope to suppress. They use the tools of discursive circulation: broadcast media, text, song, art, and images.
The scope of If I Had a Hammer is expansive, including international perspectives on ever-changing ideologies in relationship to the contemporary, global nature of media circulation and ideological development. At the heart of this interrogation is an examination of the methods artists employ to create archives that subvert the hegemonic anthropological and documentary gaze, play against traditional forms of photography, and imagine alternative political scenarios while resisting a singular, finished, final, or decisive image.
