Steven Felix-Jager – författare
187 kr
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Worship of God is at the heart of the Christian life. But it also varies widely across different churches and traditions. What, then, should our worship look like? And what does it mean to worship God well?
In How to Worship for All Its Worth, theologian, artist, and songwriter Steven Félix-Jäger offers four principles for contemporary worship: it should be biblically faithful; aesthetically rich yet appropriate; theologically sound and robust; and pastorally sensitive but challenging.
Demonstrating what these principles look like in practice, he also offers case studies from a range of churches and traditions, including Evangelical, Reformed, Pentecostal, Black Gospel, and Charismatic Catholic worshiping communities. Collectively, these principles and case studies can help the body of Christ, which is both one yet diverse, as it seeks to worship God well.
257 kr
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257 kr
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192 kr
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1 026 kr
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This book extends a theory of art that addresses the present era’s shift towards global pluralism. By focusing on extrinsic rather than intrinsic qualities of art, this book helps viewers evaluate art across cultural boundaries. Art can be universally classified by an evaluation of its guiding narrative, and can be understood and judged through hermeneutical methods. Since artists engage culture through various local, transnational, and emerging global narratives, it is difficult to decipher what standards are used for evaluation, and which authoritative body evaluates the work. This book implements a narrative-hermeneutical approach to properly classify an artwork and establish its meaning and value.
1 570 kr
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A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.