Steven Fine - Böcker

Jews, Christians and Polytheists in the Ancient Synagogue explores the ways in which divergent ethnic, national and religious communities interacted with one another within the synagogue in the Greco-Roman period. It presents new perspectives regarding the development of the synagogue and its significance of this institution for understanding religion and society under the Roman Empire.

Jews, Christians and Polytheists in the Ancient Synagogue explores the ways in which divergent ethnic, national and religious communities interacted with one another within the synagogue in the Greco-Roman period. It presents new perspectives regarding the development of the synagogue and its significance of this institution for understanding religion and society under the Roman Empire.

Art and Judaism in the Greco-Roman World explores the Jewish experience with art during the Greco-Roman period - from the Hellenistic period through the rise of Islam. It starts with the premise that Jewish art in antiquity was a 'minority' or 'ethnic' art and surveys ways that Jews fully participated in, transformed, and at times rejected the art of their general environment. Art and Judaism focuses upon the politics of identity during the Greco-Roman period, even as it discusses ways that modern identity issues have sometimes distorted and at other times refined scholarly discussion of ancient Jewish material culture. Art and Judaism, the first historical monograph on ancient Jewish art in forty years, evaluates earlier scholarship even as it sets out in new directions. Placing literary sources in careful dialogue with archaeological discoveries, this 'New Jewish Archaeology' is an important contribution to Judaic Studies, Religious Studies, Art History, and Classics.

The menorah, the seven-branched candelabrum, has traversed millennia as a living symbol of Judaism and the Jewish people. Naturally, it did not pass through the ages unaltered. The Menorah explores the cultural and intellectual history of the Western world’s oldest continuously used religious symbol. This meticulously researched yet deeply personal history explains how the menorah illuminates the great changes and continuities in Jewish culture, from biblical times to modern Israel.Though the golden seven-branched menorahs of Moses and of the Jerusalem Temple are artifacts lost to history, the best-known menorah image survives on the Arch of Titus in Rome. Commemorating the Roman destruction of Jerusalem in 70 CE, the arch reliefs depict the spoils of the Temple, the menorah chief among them, as they appeared in Titus’s great triumphal parade in 71 CE. Steven Fine recounts how, in 2012, his team discovered the original yellow ochre paint that colored the menorah—an event that inspired his search for the history of this rich symbol from ancient Israel through classical history, the Middle Ages, and on to our own tumultuous times.Surveying artifacts and literary sources spanning three thousand years—from the Torah and the ruins of Rome to yesterday’s news—Fine presents the menorah as a source of fascination and illumination for Jews, Samaritans, Christians, and even Freemasons. A symbol for the divine, for continuity, emancipation, national liberation, and redemption, the menorah features prominently on Israel’s state seal and continues to inspire and challenge in surprising ways.

From the ancient rabbis to medieval Ashkenaz, from North Africa to Syria, from the United States to modern Israel, the articles collected in Liturgy in the Life of the Synagogue reflect the diversity of approaches and the questions that modern scholars residing in North America, Europe, and Israel bring to bear on the study of Jewish liturgy. The book spans the entire history of rabbinic prayer and presents a diverse array of approaches, ranging from classical methods applied to new topics to today’s interdisciplinary approaches.Contributors include: R. Kimelman, S. Fine, D. Reed Blank, V. B. Mann, S. C. Reif, R. Langer, N. Feuchtwanger-Sarig, M. L. Kligman, J. D. Sarna, J. Tabory, and S. P. Wachs.

Talmuda de-Eretz Israel: Archaeology and the Rabbis in Late Antique Palestine brings together an international community of historians, literature scholars and archaeologists to explore how the integrated study of rabbinic texts and archaeology increases our understanding of both types of evidence, and of the complex culture which they together reflect. This volume reflects a growing consensus that rabbinic culture was an “embodied” culture, presenting a series of case studies that demonstrate the value of archaeology for the contextualization of rabbinic literature. It steers away from later twentieth-century trends, particularly in North America, that stressed disjunction between archaeology and rabbinic literature, and seeks a more holistic approach.

Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the “thick description” of Josephus’s portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions—both in antiquity, and in our own time.

Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the “thick description” of Josephus’s portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions—both in antiquity, and in our own time.

Jewish Religious Architecture explores ways that Jews have expressed their tradition in brick and mortar and wood, in stone and word and spirit. This volume stretches from the biblical Tabernacle to Roman Jerusalem, synagogues spanning two Millenia and on to contemporary Judaism. Social historians, cultural historians, art historians and philologists have come together here to present this extraordinary architectural tradition. The multidisciplinary approach employed in Jewish Religious Architecture reveals deep continuities over time, together with the distinctly local— sometimes in surprising ways.