Steven Frye – författare

The values of literary naturalism at play in one of America’s most visionary novelistsIt took six novels and nearly thirty years for Cormac McCarthy to find commercial success with the National Book Award–winning All the Pretty Horses, followed by major prizes, more best sellers, and Hollywood adaptations of his work. Those successes, though, have obscured McCarthy’s commitment to an older form of literary expression: naturalism.It is hardly a secret that McCarthy’s work tends to darker themes: violence, brutality, the cruel indifference of nature, themes which would not be out of place in the writing of Jack London or Stephen Crane. But literary naturalism is more than the oversimplified Darwinism that many think of. Nature may be red in tooth and claw, and humans are part of nature, but the humanity depicted in naturalist literature is capable of love, selflessness, and spirituality, as well.In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy’s work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain. McCarthy’s concerns are deeply religious and philosophical, drawing on ancient Greek philosophy, Gnosticism, and Nietzsche, among other sources. Frye argues for McCarthy not merely as a naturalist writer but as a naturalist in the most expansive sense. Unguessed Kinships includes biographical and historical context in each chapter, widening the appeal of the text to not just naturalists or McCarthy scholars but anyone studying the literature of the South or the West.

The values of literary naturalism at play in one of America’s most visionary novelistsIt took six novels and nearly thirty years for Cormac McCarthy to find commercial success with the National Book Award–winning All the Pretty Horses, followed by major prizes, more best sellers, and Hollywood adaptations of his work. Those successes, though, have obscured McCarthy’s commitment to an older form of literary expression: naturalism.It is hardly a secret that McCarthy’s work tends to darker themes: violence, brutality, the cruel indifference of nature, themes which would not be out of place in the writing of Jack London or Stephen Crane. But literary naturalism is more than the oversimplified Darwinism that many think of. Nature may be red in tooth and claw, and humans are part of nature, but the humanity depicted in naturalist literature is capable of love, selflessness, and spirituality, as well.In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy’s work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain. McCarthy’s concerns are deeply religious and philosophical, drawing on ancient Greek philosophy, Gnosticism, and Nietzsche, among other sources. Frye argues for McCarthy not merely as a naturalist writer but as a naturalist in the most expansive sense. Unguessed Kinships includes biographical and historical context in each chapter, widening the appeal of the text to not just naturalists or McCarthy scholars but anyone studying the literature of the South or the West.

Cormac McCarthy both embodies and redefines the notion of the artist as outsider. His fiction draws on recognizable American themes and employs dense philosophical and theological subtexts, challenging readers by depicting the familiar as inscrutably foreign. The essays in this Companion offer a sophisticated yet concise introduction to McCarthy's difficult and provocative work. The contributors, an international team of McCarthy scholars, analyze some of the most well-known and commonly taught novels - Outer Dark, Blood Meridian, All the Pretty Horses and The Road - while providing detailed treatments of McCarthy's work in cinema, including the many adaptations of his novels to film. Designed for scholars, teachers and general readers, and complete with a chronology and bibliography for further reading, this Companion is an essential reference for anyone interested in gaining a deeper understanding of one of America's most celebrated living novelists.

This Companion provides a comprehensive introduction to one of the most vibrant and expansive traditions in world literature. The American West occupies a unique place in the global imagination, and the literature it produced transcends the category of 'region' in theme and form. Written by prominent international scholars, the essays cover a diverse group of key texts and authors, including major figures in the Native American, Hispanic, Asian American, and African American movements. Treatments range from environmental and ecopoetic to transnational and transcultural, reflecting the richness of the field. This volume places the literature in deep historical context and features a chronology and a bibliography for further reading. It will be an essential guide for students of literature of the American West and of American literature generally.

This Companion provides a comprehensive introduction to one of the most vibrant and expansive traditions in world literature. The American West occupies a unique place in the global imagination, and the literature it produced transcends the category of 'region' in theme and form. Written by prominent international scholars, the essays cover a diverse group of key texts and authors, including major figures in the Native American, Hispanic, Asian American, and African American movements. Treatments range from environmental and ecopoetic to transnational and transcultural, reflecting the richness of the field. This volume places the literature in deep historical context and features a chronology and a bibliography for further reading. It will be an essential guide for students of literature of the American West and of American literature generally.

Cormac McCarthy both embodies and redefines the notion of the artist as outsider. His fiction draws on recognizable American themes and employs dense philosophical and theological subtexts, challenging readers by depicting the familiar as inscrutably foreign. The essays in this Companion offer a sophisticated yet concise introduction to McCarthy's difficult and provocative work. The contributors, an international team of McCarthy scholars, analyze some of the most well-known and commonly taught novels - Outer Dark, Blood Meridian, All the Pretty Horses and The Road - while providing detailed treatments of McCarthy's work in cinema, including the many adaptations of his novels to film. Designed for scholars, teachers and general readers, and complete with a chronology and bibliography for further reading, this Companion is an essential reference for anyone interested in gaining a deeper understanding of one of America's most celebrated living novelists.

Cormac McCarthy is a writer informed by an intense curiosity. His interests range from the natural world, to philosophy and religion, to history and culture. Cormac McCarthy in Context offers readers the opportunity to understand how various influences inform his rich body of work. The collection explores the relationship McCarthy has with his favourite authors, writers such as Herman Melville, William Faulkner, and Ernest Hemingway. Other contexts are tremendously informative, including the American Romance tradition of the nineteenth century as well as modernity and the modernist literary movement. Influence and context are of absolute importance in understanding McCarthy, who is now being understood as one of the most significant authors of the contemporary period.

This title includes in-depth critical discussions of Edgar Allan Poe's work. This is a collection of sixteen essays by leading scholars examining the short stories and life of the 19th century American writer Edgar Allan Poe. Representing the best of a broad range of critical perspectives from the psychoanalytical to the postcolonial, the volume serves as an excellent introduction to Poe's tales and the critical conversation surrounding them. The volume is introduced by Steven Frye, Professor of English at California State University, Bakersfield, the author of ""Historiography and the American Romance: A Study of Four Authors"" (2001) and the editor of ""Poe Studies/Dark Romanticism: History, Theory, Interpretation"" (2008). Original essays illuminate the influences that shaped Poe, contextualize his work, and assess his enduring impact on American and Continental poetry and fiction. A sketch of the historical and cultural forces surrounding Poe illuminates their influence on his aesthetic; a reception history examines Poe's enduring contributions to the short story genre, the French Symbolist movement, and modernist aesthetics; a comparison of Poe's and Baudelaire's works reveals how the two authors exploited the duplicitous possibilities within the writer-reader relationship; and a critical reading of ""The Fall of the House of Usher,"" ""The Black Cat,"" ""The Tell-Tale Heart,"" ""Ligeia,"" and ""Bernice"" seeks to expose the stories' unifying aesthetic principles. Further, a varied selection of critical views offers detailed analyses of Poe's most essential tales like ""The Murders in the Rue Morgue"", ""The Fall of the House of Usher"", ""The Cask of Amontillado"", ""The Gold Bug"", and ""Ligeia"". Uniquely, the collection also contains an original essay by Nathaniel Rich, senior editor of ""The Paris Review"". Reflecting on Poe's insight into and fascination with the perverse instincts of humanity, Rich offers a writer's perspective on one of America's most enigmatic writers. Finally, a wealth of reference material, including a complete list of Poe's publications and a full biography, rounds out the volume by giving readers ample sources for continuing their studies. Edited and with an introduction by Steven Frye, the collection is a gateway into the best of Poe and his critics. Each essay is 5,000 words in length, and all essays conclude with a list of 'Works Cited', along with endnotes.