Steven Henry Madoff – författare

Pop Art: A Critical History chronicles one of the most controversial art movements of the century. The anthology draws from a great range of sources, from the leading art magazines and art historical journals to newspapers and news magazines such as the New York Times, Life, and Newsweek. What emerges from this rich cross-section of critical and journalistic commentary is a fascinating view of the tumultuous rise of Pop art and its establishment as a major force in contemporary art. A broad selection of articles traces the emergence of the movement itself in England and America, as seen through the eyes of the working critics of the day. The focus then narrows to present in-depth writings on the four major Pop artists: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Andy Warhol, along with an examination of many other artists involved in the movement. From reviews of the very first shows of many of these artists to interviews with them, to news stories about their collectors and their lifestyles, Pop Art: A Critical History represents the most complete and coherent record of Pop art yet published.The book concludes with an invaluable chronology of the major '60s exhibitions by Pop artists. Among the contributors are Lawrence Alloway, John Coplans, Donald Judd, Max Kozloff, Gerald Nordland, Peter Plagens, Barbara Rose, Robert Rosenblum, John Russell, Gene Swenson, and Sidney Tillim.

Madoff rethinks modernism—from Wagner to Duchamp, Dada to the Bauhaus—for our present era of network cultureFor more than a century, European modernist art has been written about as a profound expression of fragmentation—of an alienated world in pieces. In this book, critic and curator Steven Henry Madoff proposes that there was always another artistic intention present among the modernists that offered visions of wholeness in the face of anomie brought on by wars and new technologies. From the mid-nineteenth century, when Richard Wagner championed his idea of the Gesamtkunstwerk (the total work of art), to the rise of the Bauhaus out of the ruins of World War I as the most influential art school of the twentieth century, the urge to connect different art forms into single, unified works points toward our own omnipresent culture of networks and has given rise, over the last sixty years, to such artistic practices as installation and performance art that also combine many kinds of art into one—dreams of interconnectivity binding disparate elements together. Using the contemporary lens of network aesthetics to rethink the artworks of some of the towering figures of European modernism, including Paul Cézanne, Marcel Duchamp, Hugo Ball, and Walter Gropius, this book revises standard readings of this historical art, providing not only a way to more deeply understand the art of the present, but also as a way to look at and reimagine our own society in a time of increasingly divisive turmoil.

Madoff rethinks modernism—from Wagner to Duchamp, Dada to the Bauhaus—for our present era of network cultureFor more than a century, European modernist art has been written about as a profound expression of fragmentation—of an alienated world in pieces. In this book, critic and curator Steven Henry Madoff proposes that there was always another artistic intention present among the modernists that offered visions of wholeness in the face of anomie brought on by wars and new technologies. From the mid-nineteenth century, when Richard Wagner championed his idea of the Gesamtkunstwerk (the total work of art), to the rise of the Bauhaus out of the ruins of World War I as the most influential art school of the twentieth century, the urge to connect different art forms into single, unified works points toward our own omnipresent culture of networks and has given rise, over the last sixty years, to such artistic practices as installation and performance art that also combine many kinds of art into one—dreams of interconnectivity binding disparate elements together. Using the contemporary lens of network aesthetics to rethink the artworks of some of the towering figures of European modernism, including Paul Cézanne, Marcel Duchamp, Hugo Ball, and Walter Gropius, this book revises standard readings of this historical art, providing not only a way to more deeply understand the art of the present, but also as a way to look at and reimagine our own society in a time of increasingly divisive turmoil.