Steven Knapp – författare

Does it make sense - can it make sense - for someone who appreciates the explanatory power of modern science to continue believing in a traditional religious account of the ultimate nature and purpose of our universe? This book is intended for those who care about that question and are dissatisfied with the rigid dichotomies that dominate the contemporary debate. The extremists won't be interested - those who assume that science answers all the questions that matter, and those so certain of their religious faith that dialogue with science, philosophy, or other faith traditions seems unnecessary. But far more people today recognize that matters of faith are complex, that doubt is endemic to belief, and that dialogue is indispensable in our day. In eight probing chapters, the authors of The Predicament of Belief consider the most urgent reasons for doubting that religious claims - in particular, those embedded in the Christian tradition - are likely to be true. They develop a version of Christian faith that preserves the tradition's core insights but also gauges the varying degrees of certainty with which those insights can still be affirmed. Along the way, they address such questions as the ultimate origin of the universe, the existence of innocent suffering, the challenge of religious plurality, and how to understand the extraordinary claim that an ancient teacher rose from the dead. They end with a discussion of what their conclusions imply about the present state and future structure of churches and other communities in which Christian affirmations are made.

Does it make sense - can it make sense - for someone who appreciates the explanatory power of modern science to continue believing in a traditional religious account of the ultimate nature and purpose of our universe? This book is intended for those who care about that question and are dissatisfied with the rigid dichotomies that dominate the contemporary debate. The extremists won't be interested - those who assume that science answers all the questions that matter, and those so certain of their religious faith that dialogue with science, philosophy, or other faith traditions seems unnecessary. But far more people today recognize that matters of faith are complex, that doubt is endemic to belief, and that dialogue is indispensable in our day.In eight probing chapters, the authors of The Predicament of Belief consider the most urgent reasons for doubting that religious claims - in particular, those embedded in the Christian tradition - are likely to be true. They develop a version of Christian faith that preserves the tradition's core insights but also gauges the varying degrees of certainty with which those insights can still be affirmed. Along the way, they address such questions as the ultimate origin of the universe, the existence of innocent suffering, the challenge of religious plurality, and how to understand the extraordinary claim that an ancient teacher rose from the dead. They end with a discussion of what their conclusions imply about the present state and future structure of churches and other communities in which Christian affirmations are made.

Is there such a thing as a specifically literary discourse, distinguishable from other modes of thought and writing? Is there any way to defend the intuition that a work of literature says something that can't be said in any other way? Drawing on recent work in the philosophies of language and action, Steven Knapp presents a challenging new definition of “the literary” in a forceful analysis that will radically change the sometimes heated debate about formalism.Formalist theorists have maintained that the uniqueness of the literary lies in the special nature of literary language. Their critics argue that to draw sharp distinctions between literary and nonliterary language is to privilege one kind of text and to insulate cultural activity from social conflict and political change. In the course of a rigorous engagement with such literary theorists, old and new, Knapp develops a provocative defense of the notion of a uniquely literary mode of discourse—a defense that challenges proponents as well as critics of formalism. He extends and deepens current debates about the literary canon, the purpose of literary study, and the aims and implications of the recent critical return to history. His bold and surprising argument has significance for the ethical and political role of literary studies that no one interested in literary theory or the philosophy of art will be able to ignore. Literary Interest will engage theorists, literary critics in all fields, and philosophers addressing issues of aesthetics and language.