A HISTORY OF ROMAN ART The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world. Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook: Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestionsOffers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapterIncludes a companion website containing PowerPoint slides and additional instructor resourcesA History of Roman Art, Second Edition is an ideal primary or secondary text for courses on Roman art and archaeology, Roman art and architecture, Greek and Roman art, and general Roman civilization, history, and culture.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves.By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves. By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves. By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome''s first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world.

Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome''s cultural inclusiveness and art''s important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline

Steven Tuck is the 2014 recipient of the American Archaeological Association''s Excellence in Undergraduate Teaching Award.

A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome''s first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world.

Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome''s cultural inclusiveness and art''s important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline

Steven Tuck is the 2014 recipient of the American Archaeological Association''s Excellence in Undergraduate Teaching Award.

A HISTORY OF ROMAN ART

The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope

A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome''s cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world.

Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook:

Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestions Offers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapter Includes a companion website containing PowerPoint slides and additional instructor resources

A History of Roman Art, Second Edition is an ideal primary or secondary text for courses on Roman art and archaeology, Roman art and architecture, Greek and Roman art, and general Roman civilization, history, and culture.

A HISTORY OF ROMAN ART The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world. Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook: Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestionsOffers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapterIncludes a companion website containing PowerPoint slides and additional instructor resourcesA History of Roman Art, Second Edition is an ideal primary or secondary text for courses on Roman art and archaeology, Roman art and architecture, Greek and Roman art, and general Roman civilization, history, and culture.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves.By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves. By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A story of triumph out of tragedy, uncovered in the ashes of Vesuvius The archaeological park of Pompeii is one of the most famous sites of destruction anywhere in the world. From the time of the eruption of Vesuvius in 79 CE until the eighteenth century, Pompeii and its neighbor Herculaneum lay preserved under a thick layer of volcanic material. Since excavations began three hundred years ago, Pompeii has been revealing the secrets of its victims and the ordinary shape of their lives prior to the catastrophe. But did anyone survive the disaster?In popular culture, the eruption is viewed as an apocalyptic event in which everyone died, while scholars generally assume that some escaped. Steven L. Tuck settles that debate. He starts by establishing the circumstances and timeline of the eruption and the evidence that people at both Pompeii and Herculaneum had the chance to escape the eruption. From there, he moves to the search for survivors. Using evidence from inscriptions supported by archaeological, documentary, and literary sources, Tuck finds survivors in twelve different communities and uncovers details on how they rebuilt their lives, livelihoods, and identities after fleeing the volcano. While some survivors integrated quickly into their new communities and used their new city's name in the personal names of their first generation, others preserved cultural markers from their destroyed communities through language, religious dedications, and renewed businesses. Many of the families that escaped intermarried with other refugee families, but also ran for public office in their new cities, made generous donations to their communities, and integrated while maintaining their former identity. Some refugee families came to the aid of the less fortunate by taking in poor and orphaned survivors, while others married beneath their previous station. The Roman government responded to the needs of the refugee communities with new housing, infrastructure, and services, but, as Tuck demonstrates, the real work was done by the refugees themselves. By asking new questions about Pompeii and innovatively examining the evidence, Escape from Pompeii proves the survival of Pompeians and Herculaneans after the eruption. It sheds new insight into their lives, pre- and post-eruption, and provides new conclusions about the Roman world and its response to unimaginable suffering.

A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome''s first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world.

Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome''s cultural inclusiveness and art''s important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline

Steven Tuck is the 2014 recipient of the American Archaeological Association''s Excellence in Undergraduate Teaching Award.

A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome''s first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world.

Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome''s cultural inclusiveness and art''s important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline

Steven Tuck is the 2014 recipient of the American Archaeological Association''s Excellence in Undergraduate Teaching Award.

A HISTORY OF ROMAN ART

The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope

A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome''s cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world.

Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook:

Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestions Offers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapter Includes a companion website containing PowerPoint slides and additional instructor resources

A History of Roman Art, Second Edition is an ideal primary or secondary text for courses on Roman art and archaeology, Roman art and architecture, Greek and Roman art, and general Roman civilization, history, and culture.