Steven M. Friedson – författare

For the Tumbuka people of Malawi, traditional medical practices are filled with music. This ethnography explores a health care system populated by dancing prophets, singing patients and drummed spirits. Tumbuka healers diagnose diseases by enacting divination trances in which they "see" the causes of past events and their consequences for patients. Music is the structural nexus where healer, patient, and spirit meet - it is the energizing heat that fuels the trance, transforming both the bodily and social functioning of the individual. Friedson shows how the sound of the ng'oma drum, the clapping of the choir, call-and-response singing and the jangle of tin belts and iron anklets do not simply accompany other more important ritual activities - they are the very substance of a sacred clinical reality. This analysis of the relation between music and mental and biological health should interest medical anthropologists, Africanists, and religious scholars as well as ethnomusicologists.

For the Tumbuka people of Malawi, traditional medical practices are filled with music. This ethnography explores a health care system populated by dancing prophets, singing patients and drummed spirits. Tumbuka healers diagnose diseases by enacting divination trances in which they "see" the causes of past events and their consequences for patients. Music is the structural nexus where healer, patient, and spirit meet - it is the energizing heat that fuels the trance, transforming both the bodily and social functioning of the individual. Friedson shows how the sound of the ng'oma drum, the clapping of the choir, call-and-response singing and the jangle of tin belts and iron anklets do not simply accompany other more important ritual activities - they are the very substance of a sacred clinical reality. This analysis of the relation between music and mental and biological health should interest medical anthropologists, Africanists, and religious scholars as well as ethnomusicologists.

"Remains of Ritual", Steven M. Friedson's second book on the critical role of music in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson analyzes their practices through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. In each chapter of this fascinating book, Friedson considers a different facet of the Ewe's religious practices, demonstrating throughout that none of them can be conceived of separately from their musicality - in the Brekete world music functions as ritual, and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, and the play of the drums all come under Friedson's careful scrutiny, and he ends with a thoughtful reflection on his own position and experiences within this ritual-dominated society.Bridging the disciplinary divide between ethnomusicology and anthropology, "Remains of Ritual" will be warmly welcomed by scholars from both camps as well as anyone interested in African culture, music, or religion.

"Remains of Ritual", Steven M. Friedson's second book on the critical role of music in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson analyzes their practices through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. In each chapter of this fascinating book, Friedson considers a different facet of the Ewe's religious practices, demonstrating throughout that none of them can be conceived of separately from their musicality - in the Brekete world music functions as ritual, and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, and the play of the drums all come under Friedson's careful scrutiny, and he ends with a thoughtful reflection on his own position and experiences within this ritual-dominated society.Bridging the disciplinary divide between ethnomusicology and anthropology, "Remains of Ritual" will be warmly welcomed by scholars from both camps as well as anyone interested in African culture, music, or religion.