Steven Maras - Böcker

Objectivity in journalism is a key topic for debate in media, communication and journalism studies, and has been the subject of intensive historical and sociological research. In the first study of its kind, Steven Maras surveys the different viewpoints and perspectives on objectivity. Going beyond a denunciation or defence of journalistic objectivity, Maras critically examines the different scholarly and professional arguments made in the area. Structured around key questions, the book considers the origins and history of objectivity, its philosophical influences, the main objections and defences, and questions of values, politics and ethics. This book examines debates around objectivity as a transnational norm, focusing on the emergence of objectivity in the US, while broadening out discussion to include developments around objectivity in the UK, Australia, Asia and other regions.

Objectivity in journalism is a key topic for debate in media, communication and journalism studies, and has been the subject of intensive historical and sociological research. In the first study of its kind, Steven Maras surveys the different viewpoints and perspectives on objectivity. Going beyond a denunciation or defence of journalistic objectivity, Maras critically examines the different scholarly and professional arguments made in the area. Structured around key questions, the book considers the origins and history of objectivity, its philosophical influences, the main objections and defences, and questions of values, politics and ethics. This book examines debates around objectivity as a transnational norm, focusing on the emergence of objectivity in the US, while broadening out discussion to include developments around objectivity in the UK, Australia, Asia and other regions.

Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics.

This book examines film reviewing and screenwriting as key sites of cultural mediation, providing new insights on the relationship between criticism and reviewing, as well as the way reviewers handle concepts of story, dialogue, and narrative. Drawing on the work of Pierre Bourdieu on the cultural field, and his theory of taste, the book provides an assessment of the place of film reviewing in contemporary screen culture. The book analyses a case study comprised of ten years of television scripts of the Australian film reviewing programme, At the Movies (2004–2014). Hosted by two of Australia’s most eminent film critics, Margaret Pomeranz and David Stratton, for over two decades, this study of At the Movies provides a unique window into film reviewing, movie consumption, and wider cultural attitudes in this period of Australian cultural history. It examines the programme’s cultural significance, and the contribution of Margaret and David to screen culture. This book makes a significant contribution to an under-studied area of media studies (the review), screenwriting research through the analysis of broadcast scripts, and cultural studies through the study of an important television programme.