Stewart Spencer – författare
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3 produkter
3 produkter
426 kr
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Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America.Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score, and stage directions; and the role of art itself in society. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings—on stage and in recordings—for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house.
244 kr
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This is the first literal, word-for-word translation of Wagner’s epic masterwork with the full German text. Stewart Spencer's version is at once reliable and readable, adhering closely to the original verse form and to Wagner’s poetic intentions. The German text is given in parallel, and Spencer also contributes illuminating footnote and an introductory essay. Other specially commissioned essays discuss the Cycle’s musical structure, its philosophical implications, its medieval sources and Wagner’s own changing attitude to its meaning. An appendix of Wagner’s rejected versions, copious notes on the translation, a glossary of the names of characters in the Ring, an extensive bibliography and reviews of CD- and video-recordings conclude the volume.
2 862 kr
Kommande
The first fully annotated scholarly edition and masterful new translation of Wagner's autobiography, revealing the composer's self-fashioning and mythmaking.Richard Wagner's life was as tempestuous as his music and in his own retelling it constitutes a gripping narrative. His autobiography, My Life, matters if one wants to understand the composer's life or the way in which he himself saw that life. And yet, it has a flawed publishing history: Bayreuth published the first commercial edition in 1911, but it was not until 1963 that the full text appeared in an annotated German edition. An anonymous English translation was published in 1911, the work of a translator unfamiliar with the subject. A second translation, published in 1983, remains problematical. Until this day, no edition published in any language has risen to the challenge of providing adequate annotation. This new scholarly edition and translation by Stewart Spencer is the first edition to do so.Annotations provided here explain references and allusions that Wagner himself took for granted and correct lapses of memory that the text contains. The edition highlights various strategies of concealment as far as Wagner's love life and revolutionary activities were concerned. As the text illustrates, by the 1860s Wagner was anxious to portray himself as Beethoven's natural successor, and his life in defence of art as a bulwark against the decline of Western civilization. This new critical edition and translation of Richard Wagner's autobiography is a response to one of the most pressing needs in the entire Wagner bibliography.