Stokes – författare

W. Royal Stokes is renowned for his ability to transform revealing interviews into meaningful and elegant prose. Combining interview with perceptive commentary, this personal view of the whole history and spectrum of American jazz deals with the differing styles found in New Orleans, Chicago, Harlem, Detroit, and Kansas City, and introduces the reader to all manner of composers, bands, singers, and instrumentalists who made their name playing in America and Europe.

Gale Stokes has revised this highly successful book to include readings on the collapse of Yugoslavia. Also, new and updated selections expand the scope of the book. Together, the new material causes this to be the conclusive reader on the advent of Stalinism and the fall of communism in Eastern Europe.

This volume is about the many ways we perceive. In nineteen new essays, philosophers and cognitive scientists explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information and what kinds of objects we perceive and whether multiple senses ever perceive a single event. Questions pertaining to how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful feature prominently. Contributors examine the extent to which the senses act in concert, rather than as discrete modalities, and whether this influence is epistemically pernicious, neutral, or beneficial. Many of the essays engage with the idea that it is unduly restrictive to think of perception as a collation of contents provided by individual sense modalities. Rather, contributors contend that to understand perception properly we need to build into our accounts the idea that the senses work together. In doing so, they aim to develop better paradigms for understanding the senses and thereby to move toward a better understanding of perception.

Plato’s Apology (Defence) of Socrates is a masterpiece of ancient rhetoric which philosophically illustrates in practice and illuminates in principle Plato’s version of Socrates’ dialectical method. This edition aims not merely to present and combine valuable research but to develop it further. The editor is more sceptical than some recent researchers of the historical accuracy of Plato’s version of Socrates’ defence, and offers an account of the Apology as a work of Plato’s own art. [Greek text with facing-page English translation, introduction and commentary.]