Stuart Hood – författare

'Excellent ... an astounding amount of material.'Times Educational Supplement Popular culture often portrays the Holocaust as ahorrific drama played out between Nazi executioners and ghetto Jewish victims -in short, a single aberration of history. Introducingthe Holocaust is a powerful graphic guide that dissolves thisstereotype, explaining the causes and its relevance today. It places theHolocaust where it belongs - at the centre of modern European and worldhistory. Haim Bresheeth and Stuart Hood - along with LitzaJansz's outstanding illustrations - bring a unique and unforgettable perspectiveto how we think about this most dark of shadows on human history.

Mistero Buffo, or The Comic Mysteries, is based on research into mediaeval mystery plays; The Accidental Death of an Anarchist concerns the "accidental" (or not) death of an anarchist railwork who "fell" (or was pushed) to his death from a police headquarters window in 1969; Trumpets and Raspberries is "A deeply subversive farce" (The Guardian) in which the boss of Italy's biggest car manufacturer FIAT, is mistaken for a left wing terrorist.

'This enthralling autobiographical fragment by Stuart Hood, a World War II British intelligence officer, tells of his escape from a prisoner-of-war camp in Parma and his life on the run with Italian partisans in the Resistance.' New York Times'I wanted to do two things. Firstly, give a picture of peasant life. I felt indebted to my peasants who had sheltered me, and admiration for them. The other thing was to make sense of what had happened. I discovered new facts I hadn't understood at the time. This in itself raised the question of remembrance and how one shapes memory, its truth and gaps.' Stuart Hood, 2002'Combines the mesmeric readability of good modern fiction with a feeling of lived experience to which few novels can attain.' Listener'A remarkable, haunting book.' Raleigh Travelyan, Sunday Times

On Television has long been regarded as one of the best critiques of television ever published, offering a lucid, jargon-free and impressively concise analysis of every aspect of the television industry – from the images on our screens to the organisations that produce (and manipulate) those images. This fully revised edition bringing the analysis up-to-date, reconsidering the use of the media in the Gulf War and assessing the much-vaunted changes (real and illusory) in television broadcasting at the end of the twentieth century. The result is an invaluable introduction to the world of television broadcasting as an integral part of the mass media which impinges so greatly on our lives.

Did Fascism end with the Allied victory over the Axis powers in 1945, or has it been lying dormant and is now re-awakening as we move into the 21st century? Introducing Fascism trace the origins of Fascism in 19th-century traditions of ultra-conservatism, the ideas of Nietzsche, Wagner and other intellectuals which helped to make racist doctrines respectable and which led to the ultimate horrifying 'logic' of the Holocaust. Introducing Fascism investigates the four types of Fascism that emerged after the First World War in Italy, Germany, Spain and Japan. It also looks beyond the current headlines of neo-Nazi hooliganism and examines the increasing political success of the far right in Western Europe and the explosion of ultra-nationalisms in Eastern Europe and the former Soviet Union.