Stuart Mcmillan – författare
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2 produkter
2 produkter
Inbunden, Engelska, 1987
886 kr
Skickas inom 10-15 vardagar
On February 4, 1985, the New Zealand government refused port access to the American warship U.S.S. Buchanan, on the grounds that it might be carrying nuclear weapons. The events leading up to this refusal, the refusal itself, and later developments relating to it are the subject of this book. The book is divided into four sections. The first deals with the developments within New Zealand that led to the decision to ban nuclear-powered warships and ones that might be armed. The next section examines the relationship between New Zealand and the United States and how this dispute affected it. The third considers the reaction of other countries and the fourth ponders the effects, both immediate and longer term, of the dispute itself and New Zealand-American relations.
Häftad, Engelska, 2021
114 kr
Skickas
Inspired by a life-long passion for travel, Stuart McMillan embarked on a journey of over 2,000km, crossing the continent from the Baltic Sea to the Balkan coast. The book provides personal observations and reflections on a fascinating world hidden for decades behind an Iron Curtain. It gives the reader a glimpse of how the history, culture, years of oppression and brutal wars have shaped these beautiful lands and the people who live there.Starting in Lithuania, a journey weaving through the beautiful and often mysterious Slavic lands all the way to Croatia - taking in Ukraine, Hungary, Serbia, Bosnia and Herzegovina. It includes travelling in a 44-degree heatwave; taking a short-cut via Moscow; experiencing a chaotic sleeper train out of Ukraine; coping with the failure of all air-conditioning and lighting on a long-haul train down to Serbia; learning about the legacy of both Nazi and Communist oppression; and seeing first-hand the scars and re-built splendour of Sarajevo and Mostar following the recent brutal, and often forgotten, Yugoslav wars.As well as recounting the beauty of the countries and cities visited, and reflecting on the years of oppression and wars that shaped the landscapes and cultures, it also captures the emotions of travelling alone for weeks through foreign lands – the freedom to experience so much of countries hidden away from the world for so long; the reliance on internal narrative for company; and the bouts of homesickness that often conflict with the author’s love of travel.