Subhadeep Ray – författare

This book establishes river fiction as an identifiable genre-fiction. It argues that rivers and riverbeds—through myths and legends, ecological and environmental concerns, geographical and historical realities, politics and economics around them—can provide an underlying framework to understand Indian prose fiction. With essays on river fiction across India, the volume presents a new way of understanding and reading South Asian literature. The volume will be of great interest to scholars and researchers of literature and literary criticism and South Asian studies.

This book establishes river fiction as an identifiable genre-fiction. It argues that rivers and riverbeds—through myths and legends, ecological and environmental concerns, geographical and historical realities, politics and economics around them—can provide an underlying framework to understand Indian prose fiction. With essays on river fiction across India, the volume presents a new way of understanding and reading South Asian literature. The volume will be of great interest to scholars and researchers of literature and literary criticism and South Asian studies.

This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century.The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, but conditioned in many ways by common socio-historical catastrophes and promises, interact with each other to constitute an ''aesthetics of motion and dissonance''.Essays cut across literary criticism to employ interdisciplinary approaches, as they blur the boundaries between histories, biographies and fictional narratives, between individual ethics in and outside the fictional world, between imagined and living communities, between real and generic politics, between the home and the world, and between the corporeal and the cultural. These essays interrogate the mastery in literary techniques, narrative motives and dualities, ''major'' and ''minor'' genres, (de)formations of canons in respect of the ''worldliness'' formed by the textual incorporation of the intricate imperial relationships between the United Kingdom and Bangla.