Sue Niebrzydowski – författare

New research into medieval women from the Anglo-Saxon to the late medieval period demonstrates their energy, defiance and wit.The phenomenon of medieval women's middle age is a stage in the lifecycle that has been frequently overlooked in preference for the examination of female youth and old age. The essays collected here, ranging from the Anglo-Saxon to the late medieval period, and drawing variously from literary studies, history, law, art and theology, address this lacuna. Taking a variety of critical approaches, the contributors consider medieval definitions, paradigms andexperiences of female middle age, analysing how the middle-aged woman perceived herself subjectively, as well as how she was perceived by others. They seek to challenge the received wisdom that in the middle ages, at forty, womenwere deemed "old" and, from that point onwards, their thoughts should be focused on preparing for death. On the contrary, this collection demonstrates their energy, defiance and wit.Sue Niebrzydowski is Lecturer in English, Bangor University, Wales.Contributors: Jane Geddes, Clare A. Lees, Carol M. Meale, Anneke B. Mulder-Bakker, Sue Niebrzydowski, Raluca L. Radulescu, Sara Elin Roberts, Corinne Saunders, Diane Watt.

Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries.Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts. This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.