Sulaiman Addonia – författare

In a time of war, what is the shape of love? Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile community, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos – each sibling resisting the roles gender and society assign.Through a cast of complex, beautifully-drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a future.

It is summer in Jeddah but Naser's life seems bleak. An immigrant in an unfriendly land, his friends have fled town for cooler climes and left him to his dead-end job and the scrutiny of the religious police, who keep watch through the shaded windows of their government jeeps. He spends his time writing to his mother in Africa and yearning to meet a woman - but in a country that separates men and women with walls and veils he feels increasingly trapped. Then, one of the black-clad women drops a piece of paper at his feet, instructing him to follow her pink shoes and suddenly his black-and-white life blooms into colour.But relationships between unmarried men and women are illegal under the strict Wahhibism of Saudi state rule - and it's not long before their forbidden love must face the hardest test of all...

Longlisted: RSL Ondaatje Prize 2025The Seers follows the first weeks of a homeless Eritrean refugee in London. Set around a foster home in Kilburn and in the squares of Bloomsbury, where its protagonist Hannah sleeps, the novel grapples with how agency is given to the sexual lives of refugees, presenting gender-fluid, trans and androgynous African immigrants, and insisting that the erotic and intimate side of life is as much a part of someone’s story as ‘land and nations’ are.Hannah arrives in London with her mother’s diary, containing a disturbing sexual story taking place in Keren, Eritrea, where the Allies defeated the Italians in the Second World War. In a gripping, continuous paragraph, The Seers moves between the present day and the past to explore intergenerational histories, colonial trauma, and the realities of the UK asylum system and its impact on young refugees.