Susan Martin – författare

A practical and accessible introduction to early childhood observation methods.

Take A Look: Observation and Portfolio Assessment in Early Childhood has been praised for its practical approach, clarity, and ease of use. Its detailed coverage of observation methods leads the reader to develop skills in seeing, recording, understanding, and assessing the development of young children. These essential skills are presented both within a culturally-sensitive framework and with an emphasis on the complexities and importance of the reader’s role. This 7 th edition of  Take a Look has taken a move forward in meeting current needs. The book’s main purpose is to provide a text for a core observation course for early childhood educators or Kindergarten teachers.Through its coverage of introductory early childhood skills courses, child development, curriculum, and behaviour guidance,  Take a Look allows learners to make content connections between courses.  

Whether it is the stranding of tens of thousands of migrant workers at the Libyan–Tunisian border, or the large-scale displacement triggered by floods in Pakistan and Colombia, hardly a week goes by in which humanitarian crises have not precipitated human movement. While some people move internally, others internationally, some temporarily and others permanently, there are also those who become "trapped" in place, unable to move to greater safety. Responses to these "crisis migrations" are varied and inadequate. Only a fraction of "crisis migrants" are protected by existing international, regional or national law. Even where law exists, practice does not necessarily guarantee safety and security for those who are forced to move or remain trapped. Improvements are desperately needed to ensure more consistent and effective responses.This timely book brings together leading experts from multi-disciplinary backgrounds to reflect on diverse humanitarian crises and to shed light on a series of exploratory questions: In what ways do people move in the face of crisis situations? Why do some people move, while others do not? Where do people move? When do people move, and for how long? What are the challenges and opportunities in providing protection to crisis migrants? How might we formulate appropriate responses and sustainable solutions, and upon what factors should these depend? This volume is divided into four parts, with an introductory section outlining the parameters of "crisis migration," conceptualizing the term and evaluating its utility. This section also explores the legal, policy and institutional architecture upon which current responses are based. Part II presents a diverse set of case studies, from the earthquake in Haiti and the widespread violence in Mexico, to the ongoing exodus from Somalia, and environmental degradation in Alaska and the Carteret Islands, among others. Part III focuses on populations that may be at particular risk, including non-citizens, migrants at sea, those displaced to urban areas, and trapped populations. The concluding section maps the global governance of crisis migration and highlights gaps in current provisions for crisis-related movement across multiple levels. This valuable book brings together previously diffuse research and policy issues under the analytical umbrella of "crisis migration." It lays the foundations for assessing and addressing real challenges to the status quo, and will be of interest to scholars, policy makers, and practitioners committed to seeking out improved responses and ensuring the dignity and safety of millions who move in the context of humanitarian crises.

Whether it is the stranding of tens of thousands of migrant workers at the Libyan–Tunisian border, or the large-scale displacement triggered by floods in Pakistan and Colombia, hardly a week goes by in which humanitarian crises have not precipitated human movement. While some people move internally, others internationally, some temporarily and others permanently, there are also those who become "trapped" in place, unable to move to greater safety. Responses to these "crisis migrations" are varied and inadequate. Only a fraction of "crisis migrants" are protected by existing international, regional or national law. Even where law exists, practice does not necessarily guarantee safety and security for those who are forced to move or remain trapped. Improvements are desperately needed to ensure more consistent and effective responses.This timely book brings together leading experts from multi-disciplinary backgrounds to reflect on diverse humanitarian crises and to shed light on a series of exploratory questions: In what ways do people move in the face of crisis situations? Why do some people move, while others do not? Where do people move? When do people move, and for how long? What are the challenges and opportunities in providing protection to crisis migrants? How might we formulate appropriate responses and sustainable solutions, and upon what factors should these depend? This volume is divided into four parts, with an introductory section outlining the parameters of "crisis migration," conceptualizing the term and evaluating its utility. This section also explores the legal, policy and institutional architecture upon which current responses are based. Part II presents a diverse set of case studies, from the earthquake in Haiti and the widespread violence in Mexico, to the ongoing exodus from Somalia, and environmental degradation in Alaska and the Carteret Islands, among others. Part III focuses on populations that may be at particular risk, including non-citizens, migrants at sea, those displaced to urban areas, and trapped populations. The concluding section maps the global governance of crisis migration and highlights gaps in current provisions for crisis-related movement across multiple levels. This valuable book brings together previously diffuse research and policy issues under the analytical umbrella of "crisis migration." It lays the foundations for assessing and addressing real challenges to the status quo, and will be of interest to scholars, policy makers, and practitioners committed to seeking out improved responses and ensuring the dignity and safety of millions who move in the context of humanitarian crises.

The “migration-displacement nexus” is a new concept intended to capture the complex and dynamic interactions between voluntary and forced migration, both internally and internationally. Besides elaborating a new concept, this volume has three main purposes: the first is to focus empirical attention on previously understudied topics, such as internal trafficking and the displacement of foreign nationals, using case studies including Afghanistan and Iraq; the second is to highlight new challenges, including urban displacement and the effects of climate change; and the third is to explore gaps in current policy responses and elaborate alternatives for the future.

Part of the Reading Well scheme. 35 books selected by young people and health professionals to provide 13 to 18 year olds with high-quality support, information and advice about common mental health issues and related conditions.Meet Julie - a women who suffers from periods of depression. Julie and her family help readers to understand what depression is, what it is like to feel depressed and how it can affect their family life. She explains how coping with depression can sometimes be very difficult but there is support and help available that can relieve the feelings of depression.This illustrated book is an ideal introduction to depression - a condition that can be particularly difficult for children to understand. It is suitable for readers aged 7 upwards and shows family, friends and anyone who knows someone affected by depression how they can offer support.

We Started a Nightclub: The Birth of the Pyramid Cocktail Lounge as Told by Those Who Lived It is the story of the beginnings of the club that was the launching pad for countless talented performers, musicians, and artists—many at the earliest stages of their careers. It begins in 1981 at the last moment in the city’s history when the East Village was considered a dangerous no man’s land, rents were cheap, AIDS was still unknown, and a new generation of creators broke the mold and went on to make art in an atmosphere of unbridled celebration. An oral history told through more than 75 interviews, it covers the early years of the Pyramid from the time of its founding through its rise, near demise, and rebirth as the first producer of downtown’s annual Wigstock festival. The book includes narrative commentary by Butterick, Martin, and Nakas; press releases, and never-before-seen photos, snapshots, flyers, and other ephemera The Pyramid, at 101 Avenue A, was ground zero for an explosion of creativity. In opposition to the conformity that defined the West Village, the Pyramid was run by gays, but never considered “a gay club”. Instead, it offered a mixture of cultures, from groundbreaking, irreverent theater and experimental and hardcore music to “anti-drag” that challenged the norms of gender and sexual binaries. Theme nights and bar dancers, fixtures of the downtown avantgarde, and kids escaping their past and creating their futures all added to the club’s popularity. The genius behind the club was 23-year-old Bobby Bradley, an impresario who established a collaborative atmosphere that mixed and matched performers of every stripe. Joining Bobby was a team of eager young artists, dancers, musicians, actors, and writers, telling the story of a new generation of artists in their own words. At the Pyramid, John Kelly, John Jesurun, Kestutis Nakas, and Ann Magnuson rubbed elbows with They Might be Giants, the Red Hot Chili Peppers, 3 Teen Kill 4, and performers like Ethyl Eichelberger, John Sex, Tabboo!, Hapi Phace, and Lady Bunny added their twist on drag with outrageous personas. By offering a home to obscure, genre-defying, experimental, and unpolished acts, the Pyramid played a crucial role in shaping the city’s underground cultural scene for decades to come. By 1985, Bobby and his team had produced thousands of original performances and ushered in a time of intense creativity in the East Village. Sadly, addiction, AIDS, and other perils of human existence brought Bobby (and so many others) down; the story of his downfall marks the “end of the beginning” of the Pyramid in 1986. With reminiscences and anecdotes from performers and bar boys to doormen and DJs, the Cast of Characters section of the book includes descriptions of the 250+ people who have added their voices or are referenced in this history of those seminal times. We Started a Nightclub also includes excerpts of more than 50 Pyramid press releases written by Martin between 1983 and 1986, documenting the range of acts and cultural commentary at the heart of the club. Given the time constraints and limited communication channels of the analog age, many entries read like Felix Feneon’s “Novels in Three Lines,” compressed and intentionally humorous—a mirror of the personalities and satirical spirit of the club. Like C. Carr’s “Fire in the Belly,” We Started A Nightclub is an inside look at the cultural history of the East Village in the early 1980's, combining small anecdotes and larger narratives to capture the ethos of the Pyramid. Both the unsung heroes and the famous animate these pages with memories and backstories on people and events. Like Patti Smith’s “Just Kids,” it intimately touches the real lives of artists. And like Jean Stein’s “Edie: an American Biography,” the story of the club is told through the perspectives of those who lived it. What Studio 54 was for disco and pop culture, the Pyramid was for the alternative cultures of downtown NYC. The 2015 Howl exhibition, “Secrets of the Great Pyramid: The Pyramid Cocktail Lounge as Cultural Laboratory, curated by Brian Butterick, featured the voices, works, and ephemera of more than 50 artists associated with the Pyramid alongside performances and panel discussions. The exhibition remains one of Howl’s most successful to date, demonstrating strong interest in the Pyramid and its place in cultural history. The book, for which interviews began in 2006, is timelier than ever as the only in-depth exploration of the Pyramid’s origins. In 2021, the Pyramid closed permanently. Though the venue was no longer the cultural hotbed of its early years, its closure prompted an outpouring of reminiscence and mourning for a bygone era, amid a broad renewed interest in the art and culture of 1980s New York—the eras that predated rapid gentrification, and the sweeping impact of the AIDS epidemic.