Susan Wood - Böcker

Although there have been many regional studies of the proprietary church or particular aspects of it, this is the first extensive study of it covering most of western Europe, from the end of the Roman Empire in the West to about 1200. The book aims at a broad survey in varying degrees of intensity and with a shifting geographical focus; and it asks questions that are as much social and religious as legal or administrative. The book vindicates, for village and estate churches, Ulrich Stutz's basic concept of a church with its possessions, revenues, and priestly office as an object of what we can reasonably call property. But it largely rejects his and his followers' application of this to great churches, and sees the position of intermediate churches (such as small or middling monasteries) as various, changeable, and ambivalent. Above all it turns away from Stutz's view of the property relationship as a distinct institution or system of 'Germanic church law', presenting it rather as a fluid set of assumptions and practices taking shape as customary law. The book considers also the changing background of ideas and the bearing on it of important polemical writings (with some questioning of their established interpretations). Finally the book discusses how property in churches was imperfectly superseded by the new canon-law patronage, in the increasingly bureaucratic post-Gregorian Church.

Although there have been many regional studies of the proprietary church or particular aspects of it, this is the first extensive study of it covering most of western Europe, from the end of the Roman Empire in the West to about 1200. The book aims at a broad survey in varying degrees of intensity and with a shifting geographical focus; and it asks questions that are as much social and religious as legal or administrative. The book vindicates, for village and estate churches, Ulrich Stutz's basic concept of a church with its possessions, revenues, and priestly office as an object of what we can reasonably call property. But it largely rejects his and his followers' application of this to great churches, and sees the position of intermediate churches (such as small or middling monasteries) as various, changeable, and ambivalent. Above all it turns away from Stutz's view of the property relationship as a distinct institution or system of 'Germanic church law', presenting it rather as a fluid set of assumptions and practices taking shape as customary law.Susan Wood considers also the changing background of ideas and the bearing on it of important polemical writings (with some questioning of their established interpretations). Finally the book discusses how property in churches was imperfectly superseded by the new canon-law patronage, in the increasingly bureaucratic post-Gregorian Church.

Elizabeth Warren shares the incredible story of the first female senator of Massachusetts. Elizabeth came from a struggling middle-class family in Oklahoma City. After a heart attack put Elizabeth’s father out of work, she helped out by babysitting, waitressing, and sewing, all while shining as a star member of her school’s debate team. Debate taught Elizabeth how to fight with her words, a skill that eventually won her a state championship and a college scholarship. As a lawyer and law professor, Elizabeth learned why it was so difficult for working-class families like her own to advance economically, and today she continues to fight (with her words) for the poor and middle-class in her role as a senator. Releasing in time for the 2018 election season, Elizabeth Warren emphasizes the importance of being outspoken—of using your words to fight for both yourself and for those who need your help.

This full-colour kaleidoscope of over 150 photographs by one of New York’s leading photographers evokes a pre-Celtic Tiger Ireland, recording a world on the cusp of radical change: a time-capsule of personalities and landscapes, professions and activities. Departing from Dublin and Wicklow, the work extends to Roscommon and the Shannon estuary, documenting street scenes, Travellers, the hunt, cattle marts and pub, cottage and country-house interiors. Six of the eight photo-essays focus on leading personalities: Garech Brown of Luggala, founder of Claddagh Records; Desmond FitzGerald, last knight of Glin; Marina Guinness, chatelaine; J.P. Donleavy, novelist, at home in County Westmeath; Hector McDonnell, artist, at home in Glenarm; and Tim Pat Coogan, historian