Susanna Brown – författare

'Each shoot is a total love letter to an object from the V&A, sometimes several objects. My relationship to objects is like falling in love with someone. It relates to how we interact as people, how you become best friends with someone. It's a search for a new friend...' TIM WALKER Published to accompany the V&A's mesmerizing exhibition Tim Walker: Wonderful Things, this book is a journey through the creative mind of one of the world's most inventive photographers. It presents over 100 compelling photographs, from ten magical photoshoots inspired by objects from the V&A's enormous and eclectic collection. Featuring conversations between the set designers, stylists, hair and make-up artists, models and muses who bring Walker's imagination to life, it includes contributions by Jack Appleyard, Zoe Bedeaux, Terry Bloxham, Edie Campbell, Gwendoline Christie, Josephine Cowell, James Crewe, Malcolm Edwards, Karen Elson, Katy England, Edward Enninful OBE, Amanda Harlech, Shona Heath, Hungry/Johannes Jaruraak, Ibrahim Kamara, Kate Phelan, James Spencer, Jerry Stafford, Tilda Swinton and Gareth Wrighton. Previously unpublished behind-the-scenes imagery and preliminary sketches combine to reveal Walker's extraordinary creative process, from his detailed research in the labyrinth of storerooms and galleries at the V&A, to his spectacular final pictures.

A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (1900–1968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper’s Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Nexus Hall in Tokyo, this book combines elegant design and production values with rigorous new research and scholarship. Organized into eight chapters, each supported by texts by contributing writers from the worlds of fashion, cinema and photography, and featuring names and faces that have defined our view of style, glamour and grace in the 20th century, it reminds us of Huene’s position among the greats of photography.