Susanna Moore – författare

In Paradise of the Pacific, Susanna Moore, the award-winning author of In the Cut and The Life of Objects, pieces together the elusive, dramatic story of Hawai'i - a place of kings and queens, gods and goddesses, missionaries and explorers - a not-so-distant time of abrupt transition, in which an isolated pagan world of human sacrifice and strict taboo, without a currency or a written language, was confronted with the equally ritualised world of capitalism, Western education, and Christian values.

Susanna Moore is best known for her critically acclaimed novels—complex and compelling works like In the Cut and My Old Sweetheart. Now, Moore’s Light Years is a shimmering look at the early life of this cherished novelist. Taking the form of a Commonplace Book, it mixes reminiscences with passages from famous works of literature that were formative in her younger years. Born in Hawai’i at a time when the islands were separated from the U.S. mainland by five days’ ship travel, Moore was raised in a secluded paradise of water, light, and color. As a child she spent endless days holed up with a bundle of books while the sound of the ocean and the calls of her brothers and sister drifted toward her through the palm grove. All around her, Moore saw flashes of the ocean described in those pages: a force of kaleidoscopic beauty and romantic possibility, but with an undercurrent of unfathomable darkness. In Light Years: A Girlhood in Hawai’i, she weaves reminiscences of her childhood with some of her favorite pieces of literature—excerpts from Robinson Crusoe, Moby-Dick, Treasure Island, Kon-Tiki, To the Lighthouse, and many others.

This long-awaited monograph brings together fifty years of work and demonstrates how the interiors guru has drawn on a global range of influences for his designs as well as his furniture and fabric collections. John Stefanidis established his design practice in Chelsea, London, in 1967, attracting a discerning international clientele with his carefully considered, vibrant, and beautiful transformation of homes worldwide. If there is such a thing as a Stefanidis 'look,' it combines an original use of vibrant color, an eclectic aesthetic, great sensitivity to proportions, and comfort matched with international flair. With interiors that are often distinguished by bespoke elements bronze door pulls, oak shutters, an inlaid table, a pair of simple, oak-topped chests Stefanidis s creations often feature the handiwork of decorative painters and other craftspeople who marbleize woodwork and lay in floor mosaics. This lavishly illustrated survey with images taken for the foremost shelter magazines and unpublished photographs from the designer s archive closely follows Stefanidis s trajectory from his professional start in the late 1960s to his most recent, celebrated projects. Sifting through a vast personal archive, Stefanidis shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures and friendships with many of the leading lights of the day.

Winner of the 2023 David J. Langum, Sr. Prize in American Historical Fiction'A breathtaking tale of love and war' Telegraph'Moore's voice is cool and sure, rich with detail' Vogue'A riveting account of one woman's journey' GuardianSummer, 1855. Sarah Brinton sets out from Rhode Island, leaving an abusive husband and child behind to head west across the country, until her journey ends in Minnesota Territory, on lands claimed both by white settlers and Native Americans. There she finds herself another husband, a Yale-educated doctor who works on the nearby Sioux reservation, and settles into a new life.Sarah's days on the edge of the prairie are idyllic if tough, as she befriends and works with the Sioux women. But trouble is brewing. The Sioux tribes are wary of the white settlers and resent the rampant theft of their land.When the Sioux take their fate into their own hands, Sarah's loyalties are split between the Sioux and her fellow white settlers. As the conflict rages, she finds herself lost to both worlds.The first novel in ten years from the author of In the Cut and Miss Aluminium, this is a story about freedom and oppression, intimacy and violence, and a woman caught in the crossfire of one of the most seminal and shameful moments in American history.

Living alone in New York, Frannie teaches creative writing to a motley bunch of students, and secretly compiles a dictionary of street slang: virginia, n., vagina; snapper, n., vagina; brasole, n., vagina. One evening at a bar, she stumbles upon a man, his face in shadow, a tattoon on his wrist, a woman kneeling between his legs. A week later a detective shows up at her door. The woman's body has been discovered in the park across the street. Soon Frannie is propelled into a sexual liaison that tests the limits of her safety and desires, as she begins a terrifying descent into the dark places that reside deep within her.

I was self-invented, adapting myself minute by minute, a girl on the run. And yes, built for speed. 'When it comes to her portrait of LA in the 1960s and '70s, Moore gives its most famous chroniclers, Joan Didion and Eve Babitz, a run for their money' Lucy Scholes, TLS'Tales of the Hollywood high life certainly provide giggles and glitz, though the darkness is never far from the surface' Guardian'Even better than her fiction: a gossipy, sardonic, nonchalantly glamorous production' The Times At seventeen, Susanna Moore left her home in Hawai'i, with no money, no belongings and no prospects. But in Philadelphia, an unexpected gift of four trunks of beautiful clothes allowed her to assume the first of many disguises.Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols.But beneath Miss Aluminium's glittering fairytale surface lies the story of a girl's insatiable hunger to learn. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies - and of a young woman's hard-won arrival at selfhood.