Susanna Phillippo – författare

"This is an examination of the influence of the plays of Euripides on the French tragedian Racine, gleaned from Racine''s markings on the texts. In her study, Phillippo examines the way in which the creative processes linking the two writers may have worked. She concentrates on the largely unexplored evidence supplied by ""non-verbal"" aspects of the annotations: the markings of lines and passages by underlining, brackets, etc. Such markings suggest how Racine probably understood the Greek ""originals"", and reveal the qualities of the Greek dramatist to which the French writer appears to have responded."

"This is an examination of the influence of the plays of Euripides on the French tragedian Racine, gleaned from Racine''s markings on the texts. In her study, Phillippo examines the way in which the creative processes linking the two writers may have worked. She concentrates on the largely unexplored evidence supplied by ""non-verbal"" aspects of the annotations: the markings of lines and passages by underlining, brackets, etc. Such markings suggest how Racine probably understood the Greek ""originals"", and reveal the qualities of the Greek dramatist to which the French writer appears to have responded."

Hellenic Whispers builds a picture of how Greek literature was received and reworked by the authors of seventeenth-century French tragedy. Using case studies, the author establishes a new methodology for exploring the variety of responses and creative processes involved in these encounters with classical Greek material. The book explores the complex interactions surrounding these adaptations of Greek dramatic material, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing. Focusing on a time and place where cultural predilections and a lack of linguistic training made engagement with the original Greek texts problematic, the book explores the creative role of intermediary sources, the build-up of chain reactions between sources and the cumulative processes of recreation involved in the genesis of seventeenth-century dramatic texts. The volume also goes on to explore wider questions relevant to the classical tradition and issues of ‘source study’ and reception.