Susanne Korbel – författare

The book investigates and compares the role of artistic and academic refugees from National Socialism acting as "cultural mediators" or "agents of knowledge" between their origin and host societies. By doing so, it locates itself at the intersection of the recently emerging field of the history of knowledge, transnational history, migration, exile, as well as cultural transfer studies. The case studies provided in this volume are of global scope, focusing on routes of escape and migration to Iceland, Italy, the Near East, Portugal and Shanghai, and South-, Central-, and North America. The chapters examine the hybrid ways refugees envisaged, managed, organized, and subsequently mediated their migrations. It focuses on how they dealt with their escape in their art and science. The chapters ask how the emigrants located themselves––did they associate with ethnic, religious, and/or cultural affiliations, specific social classes, or specific parts of society—and how such identifications were portrayed in their knowledge transfer and cultural translations. Building on such possible avenues for research, this volume aims to offer a global analysis of the multifarious processes not only of cultural translation and knowledge transfer affecting culture, sciences, networks, but also everyday life in different areas of the world.

The book investigates and compares the role of artistic and academic refugees from National Socialism acting as "cultural mediators" or "agents of knowledge" between their origin and host societies. By doing so, it locates itself at the intersection of the recently emerging field of the history of knowledge, transnational history, migration, exile, as well as cultural transfer studies. The case studies provided in this volume are of global scope, focusing on routes of escape and migration to Iceland, Italy, the Near East, Portugal and Shanghai, and South-, Central-, and North America. The chapters examine the hybrid ways refugees envisaged, managed, organized, and subsequently mediated their migrations. It focuses on how they dealt with their escape in their art and science. The chapters ask how the emigrants located themselves––did they associate with ethnic, religious, and/or cultural affiliations, specific social classes, or specific parts of society—and how such identifications were portrayed in their knowledge transfer and cultural translations. Building on such possible avenues for research, this volume aims to offer a global analysis of the multifarious processes not only of cultural translation and knowledge transfer affecting culture, sciences, networks, but also everyday life in different areas of the world.

The volume explores the role of refugees and displaced persons (DPs) in Europe after 1945. It expands conventional narratives about post-National Socialist societies, which are characterized by victim myths, narratives of Trümmerfrauen (rubble women), and the reconstruction of supposedly homogeneous societies.Using analyses informed by new approaches in cultural studies and digital humanities, the authors enhance studies of refugees and DPs’ ways of living and their interactions with their surrounding societies. Relying on microhistorical perspectives, the case studies focus on both post-National Socialist societies and exile communities and thus contribute to a better understanding of everyday life. The book locates itself at the intersection of Migration Studies, Gender Studies, Emotion Studies, and the History of Knowledge and focuses on the following key questions: How did family members reconnect with individuals liberated from concentration camps? How did they communicate about the choice of new places to live? How did exile communities reorganize themselves after the end of the war?This volume explores diverse experiences in the post-1945 world that have been shaping not only the European societies but have also been influencing our present legal and societal understandings and interpretations on a global scale.