Sven Hroar Klempe – författare

This book forms a basis and a starting point for a closer dialogue between musicologists, anthropologists and psychologists to achieve a better understanding of the cultural psychology of musical experience. This is done by arranging a meeting point or an arena in which different aspects of psychology and musicology touch and encounters each other due to how the two fields might be defined today. In line with this the book consists of a group of scholars that have their feet solidly grounded in psychology, social science or musicology, but at the same time have a certain interest in uniting them. On this basis it is divided into five parts, which investigates musical sensations, musical experiences, musical transformations, musical fundamentals and the notion of a cultural psychology of music. Thus another aim of this book is to prepare the basis for a further growth of a cultural psychology that is able to include the experiences of music as a basis for understanding the ordinary human life. Thus this book should be of interest for those who want to investigate the mysterious intersection between music and psychology.

This book pursues the very first use of the term “psychology”, which is traced back to 1520. The appearance of the term was not as a part of philosophy. Thus, the main hypothesis of this book is that psychology from the very beginning was a stranger to philosophy. It demonstrates that even Aristotle used his thesis on the soul to delineate philosophy from psychological aspects. It is therefore suggested that psychological wisdom and knowledge has been retained and in popular culture as long as humans have reflected upon themselves. There were, however, several reasons for why psychology appeared as a part of philosophy at around the year 1600. One important factor was Humanism, which among other things had challenged Aristotelian logic. Another important movement was Protestantism. Luther’s emphasis on the need to confess one’s sin, led to a certain interest to explore the human nature. His slogan, “the scripture alone” represented an attack on the close relationship that had existed between theology and philosophy. Yet when philosophy was thrown out of theology, it was left without the basic theological tenets that had guided philosophical speculations for centuries in Europe. Hence, this book pursues how philosophy gradually adopts and includes psychological aspects to rebuild the foundation for philosophy. This culminates partly with the British empiricists. Yet they did not apply the term psychology. It was the German and partly ignored philosopher Christian Wolff, who opened up modern understanding of psychology with the publication of Psychologia empirica in 1732. This publication had a tremendous impact on the enlightenment in the modern Europe. 

This book contrasts earlier textbooks on “evidence-based practices.” Whereas the latter is a slogan that call for scientific evidence to be used in standardized treatment manuals, ethics-based practices call for individualized treatment that makes the situation meaningful for the patient. The main argument for changing the treatment design from being evidence-based to one based on ethics, is the hypothesis that good health care is based on treatment which makes the situation positive and meaningful for the patient. The awareness for this is primarily provided by ethical considerations.

This Volume of Annals of Theoretical Psychology highlights the fact that the flourishing aftermath of both Freud’s and Lacan’s ideas still exist. This is done in different ways. Some papers focus on rereading core texts of Freud and Lacan. Others apply Freud’s and Lacan’s principles in a new and contemporaneous actuality. Others again, transform and develop some of the core principles in psychoanalysis, whereas others discuss the scientific principles that lie behind psychoanalysis. This book will be important for scholars interested in psychoanalysis in general. The readers should be both clinicians and others interested in psychoanalysis all over the world.

This book is a follow-up to the book Tracing the Emergence of Psychology, 1520-1750: A Sophisticated Intruder to Philosophy (Springer 2020). In contrast, this new book covers the period 1750-1900. Whereas the previous book focused on how psychology intervened in philosophy and theology, the perspective now is how philosophy and psychology tried to free themselves from each other. Kant’s critical project formed an important start on this. Nevertheless, this was a struggle during the whole period, with a culmination at the end of the 19th century. When experimental psychology was established in Leipzig, psychology became regarded as an independent science. Another aspect of this new project is to pursue how experimental psychology ended up with music and culture as important factors. These are highly related to the role of sensation in psychology, which influenced how Baumgarten turned the psychological project into aesthetics in 1750. Thus, psychology in dialogue with music and aesthetics forms the red thread in this book. This book targets all interested in the history of psychology.

This book explores the basic concept of agency and develops it further in psychology using it to better understand and explain psychological processes and behavior. More importantly, this book seeks to put an emphasis on the role of agency in four distinct settings: history of psychology, neuroscience, psychology of religion, and sociocultural theories of co-agency. In Volume 12 of the Annals of Theoretical Psychology the contributors explore a number of new ways to look at agency in psychology. This volume seeks to develop a systematic theory of axioms for agency. It describes implications for research and practice that are founded on an understanding of the person as an actor in the world. This book also has implications for research and practice across psychology''s sub-fields uniting the discipline through an agentic view of the person

This book is about the human mental capacities that are mostly veiled in the use of language yet can be revealed through music activities. In speech, just one word is articulated at the time, whereas in music different pitches sound simultaneously. This conflict demonstrates that rationality must be regarded as relative, as rationality in music may create chaos in speech. Moreover, investigating the role of sound in synesthesia reveals that its aesthetic combinations are related to the human capacity to enjoy different types of harmonies in music. Drawing on new research regarding synesthesia as a more fundamental basis for human cognition, this book brings this a step further by introducing synesthesia as a general metacognitive process, hinting at the aesthetical origin of fundamental logical operations. Bringing together a number of cultural perspectives on music, language, and mathematics, this volume expertly illustrates that music reveals a fundamental system that deeply combines the sensorial and the intellectual human capacities.