Svitlana Matviyenko – författare

The mobile app as technique and imaginary tool, offering a shortcut to instantaneous connection and entertainment.

Mobile apps promise to deliver (h)appiness to our devices at the touch of a finger or two. Apps offer gratifyingly immediate access to connection and entertainment. The array of apps downloadable from the app store may come from the cloud, but they attach themselves firmly to our individual movement from location to location on earth. In The Imaginary App, writers, theorists, and artists—including Stephen Wolfram (in conversation with Paul Miller) and Lev Manovich—explore the cultural and technological shifts that have accompanied the emergence of the mobile app. These contributors and interviewees see apps variously as “a machine of transcendence,” “a hulking wound in our nervous system,” or “a promise of new possibilities.” They ask whether the app is an object or a relation, and if it could be a “metamedium” that supersedes all other artistic media. They consider the control and power exercised by software architecture; the app''s prosthetic ability to enhance certain human capacities, in reality or in imagination; the app economy, and the divergent possibilities it offers of making a living or making a fortune; and the app as medium and remediator of reality.

Also included (and documented in color) are selected projects by artists asked to design truly imaginary apps, “icons of the impossible.” These include a female sexual arousal graph using Doppler images; “The Ultimate App,” which accepts a payment and then closes, without providing information or functionality; and “iLuck,” which uses GPS technology and four-leaf-clover icons to mark places where luck might be found.

ContributorsChristian Ulrik Andersen, Thierry Bardini, Nandita Biswas Mellamphy, Benjamin H. Bratton, Drew S. Burk, Patricia Ticineto Clough, Robbie Cormier, Dock Currie, Dal Yong Jin, Nick Dyer-Witheford, Ryan and Hays Holladay, Atle Mikkola Kjøsen, Eric Kluitenberg, Lev Manovich, Vincent Manzerolle, Svitlana Matviyenko, Dan Mellamphy, Paul D. Miller aka DJ Spooky That Subliminal Kid, Steven Millward, Anna Munster, Søren Bro Pold, Chris Richards, Scott Snibbe, Nick Srnicek, Stephen Wolfram

When Posthumanism displaces the traditional human subject, what does psychoanalysis add to contemporary conversations about subject/object relations, systems, perspectives, and values? This book discusses whether Posthumanism itself is a cultural indication of a shift in thinking that is moving from language to matter, from a politics focused on social relations to one organized according to a broader sense of object in environments. Together the authors question what is at stake in this shift and what psychoanalysis can say about it. 

Promoting psychoanalysis’ focus on the cybernetic relationships among subjects, language, social organizations, desire, drive, and other human motivations, this book demonstrates the continued relevance of Lacan’s work not only to continued understandings of the human subject, but to the broader cultural impasses we now face. Why Posthumanism? Why now? In what ways is Posthumanist thought linked to the emergence of digital technologies? Exploring Posthumanism from the insights of Lacan’s psychoanalysis, chapters expose and elucidate not only the conditions within which Posthumanist thought arises, but also reveal symptoms of its flaws: the blindness to anthropomorphization, projection, and unrecognized shifts in scale and perspective, as well as its mode of transcendental thought that enables many Posthumanist declarations. This book explains how Lacanian notions of the subject inform current discussions about human complicity with, and resistance to, algorithmic governing regimes, which themselves more wholly produce a “post”- humanism than any philosophical displacement of human centrality could.