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Ferdinand Hodler (1853-1918) is arguably the foremost Swiss artist of the late 19th and early 20th centuries. Ignoring artistic conventions of his time he created a vast oeuvre of impressive landscapes and portraits, monumental paintings of historic scenes and symbolic and allegorical figures, and also of drawings and sketches. Hodler gained some recognition outside Switzerland during his lifetime, but a number of recent international publications and exhibitions as well as raising prices for his works in auctions indicate that Hodler has definitely become an important and renowned figure in art history. Although Hodler's work has been widely published in recent years, a catalogue raisonné of his work has been lacking. This gap is being closed now by the Swiss Institute for Art Reasearch in Zurich. The result of years of scholarly work is going to be published in four parts until 2015. Volume 2 (Portraits) is scheduled for 2010, volume 3 (Figures, 2 tomes) for 2013, and volume 4 (Biography and Documents) for 2014. Text in German.
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Ferdinand Hodler (1853-1918), as a painter equally significant and controversial, brought Swiss art to international recognition in the early 20th century. His impressive landscapes and portraits, monumental paintings of historic scenes and symbolistic and allegorical figures were exhibited all over Europe and acquired by museums and private collectors alike. Hodler's work was discussed, praised, and criticised in contemporary publications. The new third volume of the catalogue raisonne of Hodler's painted work is dedicated to his non-portrayal figure paintings. With around 630 works, this key section of Hodler's oeuvre is almost as prolific as his landscapes. It comprises religious and patriotic genre paintings, symbolist figures such as The Night from 1890, and vast canvasses and murals with historic scenes. As in the earlier volumes on Hodler's landscapes and portraits, the new book features an introductory essay, followed by the actual catalogue section listing the works in chronological order, and an appendix documenting questionable or erroneous attributions as well as confirmed forgeries.
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Preserving collections of analogue video art is no easy task. Not only must collection caretakers ensure that their magnetic tapes are appropriately catalogued and stored, they must also properly inspect the content of the analogue videotapes in order to make an informed assessment of their condition. This is the only way to prevent unintended image errors - caused by a damaged videotape or video player, or by simple operator error - from being irreversibly merged with the artist's original image content during the digitisation process and thereby permanently compromising the artwork.This publication aims to provide caretakers of our audiovisual artistic and cultural heritage with a general guide to identifying, viewing, cataloguing and assessing the condition of analogue videotapes. The symptoms and causes of 28 common image errors are described in detail, and further illustrated by video sequences on an accompanying DVD. A technical chapter explains the basic principles of video technology, while an art history chapter discusses the deliberate use of image errors as creative tools in analogue video art.Text in English & German.