Sylvie Lécallier – författare

Developed and designed in close collaboration with Paolo Roversi himself, this definitive monograph surveys the last fifty years of the photographer's distinctive output. Arriving in Paris from Ravenna in 1973, Paolo Roversi produced his first series of photographs in 1977, which were immediately picked up by the fashion press. From then on, he devoted himself to fashion photography, working for the greatest designers and for the most prestigious magazines, simultaneously occupying a position both at the heart of the fashion world and far from its ephemeral trends. Ultimately in search of pure beauty, he formulates timeless and mysterious work, which is defined by his choice of studio and use of large format and Polaroid cameras. At the heart of his photography are his dedicated relationships with fashion designers and models, most famously with Yohji Yamamoto, as well as Romeo Gigli, Rei Kawakubo and Dior, and these fruitful collaborations have allowed Roversi to continuously challenge and renew his practice. Conceived and designed in close collaboration with the photographer, and drawing on his archives, this book features many original prints, including some that have never been seen before. Spanning the entirety of Roversi’s career, it explores his approach to his creative space and the way he treats it like a theatre stage, constantly reinventing it to suit each new collaboration.

The very first retrospective book showcasing the renowned high jewellery Maison, Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison's historical archives.A photographic reference title authored by Carol Woolton, a leading authority on high jewellery at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewellery and women, making it an essential read for photography and high jewellery enthusiasts worldwide.