T. Fulford – författare

Expectation of the millennium was widespread in English society at the end of the eighteenth century. The essays in this volume explore how exactly, this expectation shaped, and was shaped by, the literature, art, and politics of the period we now call romantic. An expanded and rehistorized canon of writers and artists is assembled, a group united by a common tendency to use figurations of the millennium to interrogate and transform the worlds in which they lived and moved. Coleridge, Cowper, Blake, and Byron are placed in new contexts created by original research into the artistic and political subcultures of radical London, into the religious sects surrounding the Richard Brothers and Joanna Southcott, and into the cultural and political contexts of orientalism and empire.

This book examines the male Romantics'' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke''s gendered discourse about power effected radical changes in the definitions of masculinity and femininity. It portrays their influence on each other as a series of unstable struggles and alliances in which the formulation of an authoritative masculinity was a political as well as an aesthetic issue. The author investigates the writers'' portrayals of women and their collaborations with women writers and throws new light on their nature poetry by relating it to their reactions to the sexual and political scandals of the Regency.

This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity. It portrays their influence on each other as a series of unstable struggles and alliances in which the formulation of an authoritative masculinity was a political as well as an aesthetic issue. The author investigates the writers' portrayals of women and their collaborations with women writers and throws new light on their nature poetry by relating it to their reactions to the sexual and political scandals of the Regency.

Expectation of the millennium was widespread in English society at the end of the eighteenth century. The essays in this volume explore how exactly, this expectation shaped, and was shaped by, the literature, art, and politics of the period we now call romantic. An expanded and rehistorized canon of writers and artists is assembled, a group united by a common tendency to use figurations of the millennium to interrogate and transform the worlds in which they lived and moved. Coleridge, Cowper, Blake, and Byron are placed in new contexts created by original research into the artistic and political subcultures of radical London, into the religious sects surrounding the Richard Brothers and Joanna Southcott, and into the cultural and political contexts of orientalism and empire.

This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity. It portrays their influence on each other as a series of unstable struggles and alliances in which the formulation of an authoritative masculinity was a political as well as an aesthetic issue. The author investigates the writers' portrayals of women and their collaborations with women writers and throws new light on their nature poetry by relating it to their reactions to the sexual and political scandals of the Regency.