T. V. Reed – författare

Robert Cantwell and the Literary Left is the first full critical study of novelist and critic Robert Cantwell, a Northwest-born writer with a strong sense of social justice who found himself at the center of the radical literary and cultural politics of 1930s New York. Regarded by F. Scott Fitzgerald and Ernest Hemingway as one of the finest young fiction writers to emerge from this era, Cantwell is best known for his superb novel, The Land of Plenty, set in western Washington. His literary legacy, however, was largely lost during the Red Scare of the McCarthy era, when he retreated to conservatism.Through meticulous research, an engaging writing style, and a deep commitment to the history of American social movements, T. V. Reed uncovers the story of a writer who brought his Pacific Northwest brand of justice to bear on the project of “reworking” American literature to include ordinary working people in its narratives. In tracing the flourishing of the American literary Left as it unfolded in New York, Reed reveals a rich progressive culture that can inform our own time.

T. V. Reed urges an affiliation between literary theory and political action—and between political action and literary theory. What can the "new literary theory" learn from "new social movements," and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?  In striking interpretations of texts in four different genres—James Agee and Walker Evans’s Let Us Now Praise Famous Men, Ralph Ellison's Invisible Man, Norman Mailer's Armies of the Night, and the ecofeminist Women's Pentagon Actions of the early 1980s—Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

T. V. Reed urges an affiliation between literary theory and political action—and between political action and literary theory. What can the "new literary theory" learn from "new social movements," and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?  In striking interpretations of texts in four different genres—James Agee and Walker Evans’s Let Us Now Praise Famous Men, Ralph Ellison's Invisible Man, Norman Mailer's Armies of the Night, and the ecofeminist Women's Pentagon Actions of the early 1980s—Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.