Tabish Khair – författare

Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'.

Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.Literature is a mode of thinking, stories being one of the oldest thinking ''devices'' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material (''language'') and its subject matter (''reality''). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in ''a call to arms''.

Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.Literature is a mode of thinking, stories being one of the oldest thinking ''devices'' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material (''language'') and its subject matter (''reality''). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in ''a call to arms''.

". . . brings new insights into the colonial relationship while challenging the unspoken temptation that this was a distinctly European period." —Simon GikandiOther Routes collects important primary work by travel writers from Asia and Africa in English translation. An introduction by Tabish Khair discusses travel literature as a genre, the perception of travel and writing about travel as a European privilege, and the emergence of new writings that show that travel has been a human occupation that crosses time and culture. This original and significant book will interest armchair travelers and others in views of people and places away from the European traveler's gaze.Selections include "The Travels of a Japanese Monk" (c. 838), "Al-Abdari, the Disgruntled Traveller" (c. 1290), "A Korean Official's Account of China" (1488), "The Poetry of Basho's Road" (1689), "Malabari: A Love-Hate Affair with the British" (1890).

Set primarily in India and spanning the twentieth century, Filming tells a series of stories, including that of one-time prostitute Durga, who is persuaded to give away her young son, Ashok, and that of Saleem, the son of a prostitute and two-times star of the silver screen. As these stories intertwine and overlap, they combine to create a novel that is simultaneously about the small details and the bigger picture, weaving together major historical events – including Partition, the assassination of Gandhi, the rise of photography and the Bombay film industry, and the development of barbed wire – with the everyday moments that make up the fabric of our lives.‘Its plot, like a Bollywood melodrama, teems with characters and incident’ Guardian‘Elegantly structured and taut with understated passion, Filming is a brilliant recreation of the lost world of early cinema and the continuing tragedy of religious hatred . . . Its delights as well as its message should find admiring readers everywhere’ Independent ‘Absorbing . . . Filming is distinguished by its ambition, its structural inventiveness and its highly evocative prose’ TLS‘Underpinning this intriguing novel is a concern for the truth . . . In keeping with Khair’s pertinent and thought-provoking musings on self-deception, its skill lies in making us question our assumptions about what we do and why we do it’ New Statesman

A subversive, macabre novel of a young Indian man’s misadventures in Victorian London as the city is racked by a series of murdersIn a small Bihari village, Captain William T. Meadows finds just the man to further his phrenological research back home: Amir Ali, confessed member of the infamous Thugee cult. With tales of a murderous youth redeemed, Ali gains passage to England, his villainously shaped skull there to be studied. Only Ali knows just how embroidered his story is, so when a killer begins depriving London’s underclass of their heads, suspicion naturally falls on the “thug.” With help from fellow immigrants led by a shrewd Punjabi woman, Ali journeys deep into a hostile city in an attempt to save himself and end the gruesome murders.Ranging from skull-lined mansions to underground tunnels a ghostly people call home, The Thing about Thugs is a feat of imagination to rival Wilkie Collins or Michael Chabon. Short-listed for the 2010 Man Asian Literary Prize, this sly Victorian role reversal marks the arrival of a compelling new Indian novelist to North America.

Set primarily in India and spanning the twentieth century, Filming tells a series of stories, including that of one-time prostitute Durga, who is persuaded to give away her young son, Ashok, and that of Saleem, the son of a prostitute and two-times star of the silver screen. As these stories intertwine and overlap, they combine to create a novel that is simultaneously about the small details and the bigger picture, weaving together major historical events – including Partition, the assassination of Gandhi, the rise of photography and the Bombay film industry, and the development of barbed wire – with the everyday moments that make up the fabric of our lives.‘Its plot, like a Bollywood melodrama, teems with characters and incident’ Guardian‘Elegantly structured and taut with understated passion, Filming is a brilliant recreation of the lost world of early cinema and the continuing tragedy of religious hatred . . . Its delights as well as its message should find admiring readers everywhere’ Independent ‘Absorbing . . . Filming is distinguished by its ambition, its structural inventiveness and its highly evocative prose’ TLS‘Underpinning this intriguing novel is a concern for the truth . . . In keeping with Khair’s pertinent and thought-provoking musings on self-deception, its skill lies in making us question our assumptions about what we do and why we do it’ New Statesman

A very angry bus driver, abandoned by his wife and going nowhere in his career; a sanctimonious conductor; a hijra, or eunuch, a remnant of India's Muslim glory days; a nervous, half-Indian businessman clutching a briefcase-full of cash; a right-wing Hindu matriarch; a young boy returning to his village after robbing his employer . . . They meet – and witness a tragic event – only because they are all travelling on the same bus, in the same direction, on the same day.With exceptional poise and beguiling simplicity, Khair introduces a range of voices, thoughts, ideas and identities, allowing each individual’s story to unfold gradually.‘A novel that reflects deeply into the nature and circumstances of human mobility in our modern, unforgiving world’ Siddhartha Deb, Outlook‘There is much to enjoy here . . . The twist at the end is hilarious. Khair’s talent is as a miniaturist’ Fiona Hook, The Times‘It’s a fine work: short, sweet and brutal’ James Smart, Sunday Herald‘A lyrical journey through small-town India’ Independent ‘[The Bus Stopped] allows stories to emerge with immediacy and leisure, with abrupt shafts of humour’ Guardian

A HILARIOUS, SATIRICAL NOVEL FROM AWARD-WINNING INDIAN WRITER. Funny and sad, satirical and humane, this novel tells the interlinked stories of three unforgettable men whose trajectories cross in Denmark: the flamboyant Ravi, the fundamentalist Karim, and the unnamed and pragmatic Pakistani narrator. As the unnamed narrator copes with his divorce, and Ravi—despite his exterior of skeptical flamboyance—falls deeply in love with a beautiful woman who is incapable of responding in kind, Karim, their landlord, goes on with his job as a taxi driver and his regular Friday Qur’an sessions. But is he going on with something else? Who is Karim? And why does he disappear suddenly at times or receive mysterious phone calls? When a “terrorist attack” takes place in town, all three men find themselves embroiled in doubt, suspicion, and, perhaps, danger. An acerbic commentary on the times, How to Fight Islamist Terror from the Missionary Position is also a bitter-sweet, spell-binding novel about love and life today.

The short story 'Namaste Trump' starts in a deceptive domestic setting, where a servant from the hinterlands is patronized and exploited by an upwardly mobile urban family. But as the nation celebrates Trump's visit and copes with the pandemic, it ends up becoming a prophecy of endless haunting. This sets the agenda for a series of stories that delve into fracturing or broken lives in small-town India over the past fifty years. In the novella-length 'Night of Happiness,' pragmatic entrepreneur Anil Mehrotra has set up his thriving business empire with the help of his lieutenant, Ahmed, an older man who is different in more ways than one. Quiet and undemanding, Ahmed talks in aphorisms; bothers no one; and always gets the job done. But when one stormy night, Mehrotra discovers an aspect to Ahmed that defies all reason, he is forced to find out more about his trusted aide. What will he discover: madness or something worse? In a series of three linked stories, 'The Corridor,' 'The Ubiquity of Riots' and 'Elopement,' Khair traces, through the eyes of an adolescent, the tensions of living as a liberal Muslim in India in the 1970s and 1980s, tensions that isolate families, break friendships, and point to the violence to come. The narrator of these stories, now a busy professional, returns in the third person in another story, 'Olden Friends are Golden,' about belonging and exclusion on WhatsApp. Then there is 'Scam,' a flippantly narrated story about a crime that can only be comprehended as a scam perpetuated by the victim, and in 'Shadow of a Story' violence returns to a village family in an unimaginable shape. 'The Thing with Feathers' is perhaps about hope, but it is hope beyond despair, hope perhaps gone mad: or, is all hope mad now? Finally, 'The Last Installment' narrates two farmers, a father and a son, in a village of North India, caught in a corporate vice: the breathless sentences of the story making the reader sense the desperation of the central character as he finally fights to breathe, to live. By turns poetic, chilling, and heartbreaking, ranging from understated realism to gothic terror, this is a book of stories about precarious lives in a world without tolerance.

Harris Maloub, a killer with an erased official past, now in his fifties, is visited by someone who could not be alive and given an assignment. In Aarhus, Denmark, Jens Erik, police officer on pre-retirement leave, somehow cannot forget the body of a Black man recovered from the sea some years ago. On an abandoned oil rig in the North Sea, turned into a resort for the very rich, Michelle, a young Caribbean woman, realizes that the man she has followed to this job is not what he claims to be. And neither is the rig, where a secret laboratory bares to her a face that is neither human nor animal. Behind all this, there lurks the ghost of a seminar in 2007: most of the participants of that seminar are dead or untraceable. Why was their obscure research on plants and fungi and microbes so important? What is the secret that killed them? What is the weapon that powerful syndicates are trying to obtain - or develop? Narrated from the perspective of the post-pandemic world around 2030, but moving back in time to cover all of the 21st century, and even bits and pieces from the 20th and the 19th, The Body by the Shore is a novel of suspense and speculation about the complexity of life and intricacy of the earth. It is also a novel about reason and emotion, love and despair, greed and hope, human beings and microbes. When the narrative strands come together, a world of great terror and beauty is revealed to the reader.