Taner Can – författare

This edited collection provides a comprehensive exploration of key trends and methodologies in adaptation within the Turkish context, examining how socio-political and economic conditions shape the interaction between texts, cultures, and media industries. With thirteen essays covering adaptation topics from the early 1940s to the present, the collection addresses a diverse range of subjects, including novel-to-film adaptations, film remakes, television series, documentary dramas, stage adaptations, comic books, and the music industry.

This edited collection provides a comprehensive exploration of key trends and methodologies in adaptation within the Turkish context, examining how socio-political and economic conditions shape the interaction between texts, cultures, and media industries. With thirteen essays covering adaptation topics from the early 1940s to the present, the collection addresses a diverse range of subjects, including novel-to-film adaptations, film remakes, television series, documentary dramas, stage adaptations, comic books, and the music industry.

Taner Can explores the prevailing problems of literary periodisation and canon formation in the history of English literary modernism. In his comprehensive survey of the development of modernist literary studies, he demonstrates that the current conception of English literary modernism and its established historical accounts are largely dominated by the exclusionary aesthetic perspective and restrictive critical assumptions that the early modernist writers deployed to define their art. Can seeks to redress this negative and marginalising historiography of modernism through a reassessment of Joseph Conrad’s literary career and achievements.