Tania Bruguera – författare

A controversial figure working in installation and performance, Cuban artist Tania Bruguera (born 1968) has consistently blurred the lines between art and activism. Defining herself as an initiator rather than an author, she often invites spectator participation and works in a collaborative mode, working with various organizations, institutions and individuals to challenge political and economic power structures and the control they hold over society. She researches and performs the ways in which art can be applied to everyday life, and how its effects can translate into political action. From offering Cubans one minute of uncensored time in Havana's Plaza de la Revolucion (#YoTambienExijo, 2014) to operating a flexible community center in Corona, Queens (Immigrant Movement International, 2011), Bruguera strives to make Arte Util (Useful Art), an art that imagines and provides tools to bring about social change. Published in the Fundacion Cisneros' Conversaciones/Conversations series, this volume features an in-depth conversation between the artist and the renowned art historian Claire Bishop. In this interview, Bruguera tells her own story, recounting the development of her early work in 1980s Cuba, motivated by her political activism, and her shift from intimate performances to the orchestration of the large-scale interactive situations and events that characterize her work today.

“The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania BrugueraStemming from a performance that originated at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, and Cuban immigrant to the US engaging the tension between art’s pragmatic, activist, and aesthetic possibilities.The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vatican City citizenship to all immigrants and refugees. As a conversational, collaborative project, the resulting book mirrors Bruguera’s artistic practice with essays and conversations from the the curators and Bruguera. In addition, the book-project is embiggened by socially-engaged commissioned essays from art historian Our Literal Speed, sociologist Saskia Sassen, and historian Nicolas Terpstra.A groundbreaking interdisciplinary discussion of borders, Pangaea, sociology, and religious studies, The Francis effect offers art as a vehicle for social change, placing this work in the context of its creative and critical reception.