Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.

Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.

Examines how postfeminism and postracialism intersect to perpetuate systemic injustice in the United States.Historicizing Post-Discourses explores how postfeminism and postracialism intersect in dominant narratives of triumphalism, white male crisis, neoliberal and colonial feminism, and multiculturalism to perpetuate systemic injustice in America. By examining various locations within popular culture, including television shows such as Mad Men and The Wire; books such as The Help and Lean In; as well as Hollywood films, fan forums, political blogs, and presidential speeches, Tanya Ann Kennedy demonstrates the dominance of postfeminism and postracialism in US culture. In addition, she shows how post-discourses create affective communities through their engineering of the history of both race and gender justice.

Offers an interdisciplinary feminist framework for conceptualizing time and temporal justice as a form of reparation.The post-2016 election era in the United States is commonly presumed to be an era of crisis. Reclaiming Time argues that the narratives used to make this crisis a meaningful national story (e.g., Hillbilly Elegy, Strangers in Their Own Land) are not only gendered and racialized but also give a thin account of time, one so superficial as to make the future unimaginable. Examining the work of feminist theorists, performance artists, writers, and activists-from Octavia Butler and Jesmyn Ward to the Combahee River Collective and Congresswoman Maxine Waters-Tanya Ann Kennedy shows how their work disturbs dominant temporal frames; rearticulates the relations between past, present, and future; and offers models for "doing" the future as reparation. Reclaiming Time thus builds on while also critiquing feminist literary critical practices of reparative reading. Kennedy further aligns the method of reparative reading with the theories and aims of reparative justice, making the case for more fully engaging with social movement activism.This book has been made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world.

Offers an interdisciplinary feminist framework for conceptualizing time and temporal justice as a form of reparation.The post-2016 election era in the United States is commonly presumed to be an era of crisis. Reclaiming Time argues that the narratives used to make this crisis a meaningful national story (e.g., Hillbilly Elegy, Strangers in Their Own Land) are not only gendered and racialized but also give a thin account of time, one so superficial as to make the future unimaginable. Examining the work of feminist theorists, performance artists, writers, and activists-from Octavia Butler and Jesmyn Ward to the Combahee River Collective and Congresswoman Maxine Waters-Tanya Ann Kennedy shows how their work disturbs dominant temporal frames; rearticulates the relations between past, present, and future; and offers models for "doing" the future as reparation. Reclaiming Time thus builds on while also critiquing feminist literary critical practices of reparative reading. Kennedy further aligns the method of reparative reading with the theories and aims of reparative justice, making the case for more fully engaging with social movement activism.This book has been made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world.

Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.

Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.

Examines how postfeminism and postracialism intersect to perpetuate systemic injustice in the United States.Historicizing Post-Discourses explores how postfeminism and postracialism intersect in dominant narratives of triumphalism, white male crisis, neoliberal and colonial feminism, and multiculturalism to perpetuate systemic injustice in America. By examining various locations within popular culture, including television shows such as Mad Men and The Wire; books such as The Help and Lean In; as well as Hollywood films, fan forums, political blogs, and presidential speeches, Tanya Ann Kennedy demonstrates the dominance of postfeminism and postracialism in US culture. In addition, she shows how post-discourses create affective communities through their engineering of the history of both race and gender justice.

Offers an interdisciplinary feminist framework for conceptualizing time and temporal justice as a form of reparation.The post-2016 election era in the United States is commonly presumed to be an era of crisis. Reclaiming Time argues that the narratives used to make this crisis a meaningful national story (e.g., Hillbilly Elegy, Strangers in Their Own Land) are not only gendered and racialized but also give a thin account of time, one so superficial as to make the future unimaginable. Examining the work of feminist theorists, performance artists, writers, and activists-from Octavia Butler and Jesmyn Ward to the Combahee River Collective and Congresswoman Maxine Waters-Tanya Ann Kennedy shows how their work disturbs dominant temporal frames; rearticulates the relations between past, present, and future; and offers models for "doing" the future as reparation. Reclaiming Time thus builds on while also critiquing feminist literary critical practices of reparative reading. Kennedy further aligns the method of reparative reading with the theories and aims of reparative justice, making the case for more fully engaging with social movement activism.This book has been made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world.

Offers an interdisciplinary feminist framework for conceptualizing time and temporal justice as a form of reparation.The post-2016 election era in the United States is commonly presumed to be an era of crisis. Reclaiming Time argues that the narratives used to make this crisis a meaningful national story (e.g., Hillbilly Elegy, Strangers in Their Own Land) are not only gendered and racialized but also give a thin account of time, one so superficial as to make the future unimaginable. Examining the work of feminist theorists, performance artists, writers, and activists-from Octavia Butler and Jesmyn Ward to the Combahee River Collective and Congresswoman Maxine Waters-Tanya Ann Kennedy shows how their work disturbs dominant temporal frames; rearticulates the relations between past, present, and future; and offers models for "doing" the future as reparation. Reclaiming Time thus builds on while also critiquing feminist literary critical practices of reparative reading. Kennedy further aligns the method of reparative reading with the theories and aims of reparative justice, making the case for more fully engaging with social movement activism.This book has been made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world.