Tara Isabella Burton – författare

'A Ripleyesque exploration of female insecurity set among the socialites of Manhattan' Guardian, Books of the Year‘An irresistible novel about a toxic friendship taken to the extreme’ Elle Louise is struggling to survive in New York; juggling a series of poorly paid jobs, renting a shabby flat, being catcalled by her creepy neighbour, she dreams of being a writer. And then one day she meets Lavinia. Lavinia who has everything – looks, money, clothes, friends, an amazing apartment…Lavinia invites Louise into her charmed circle, takes her to the best underground speakeasies, the opera, shares her clothes, her drugs, her Uber account. Louise knows that this can’t last for ever, but just how far is she prepared to go to have this life? Or rather, to have Lavinia’s life?

A sharp, biting, and irresistible debut about parties and ambition in New York City--introducing a talented Mr. Ripley for the digital age, with all the glitz and grit of Bright Lights, Big City.If you can make it here, you can make it anywhere. Louise Wilson is an expert at just barely making it. She''s mastered the tricks and shortcuts that a penniless small-town girl needs to survive in New York City. When she meets the beautiful, wealthy, eccentric, and aimless Lavinia Williams, she thinks her dreams of a cosmopolitan existence may be coming true. Lavinia introduces her to a rarified life of beauty and indulgence: private opera boxes, secret bookstores in brownstones, Shakespearean masked balls, underground cabarets, closets full of hundreds of dresses, and the finest champagne money can buy.     The more Louise tastes, the more she wants. Could she ever truly be a part of this world? She can speak with the right affectation, wear the best makeup, drop the appropriate references, but she is always afraid people can see her true nature, which is darker than anyone can imagine. She finds herself haunted by the disparity between them. Lavinia has so much, and Louise so little, despite her yearning. Nightlife--the music, the buzz, the dim lights--is the great equalizer. But morning always comes, and Louise will do whatever it takes to keep the party going. This delicious debut takes a classic tale of obsession and makes it undeniably modern.

''A Ripleyesque exploration of female insecurity set among the socialites of Manhattan'' Guardian, Books of the Year''An irresistible novel about a toxic friendship taken to the extreme'' Elle Louise is struggling to survive in New York; juggling a series of poorly paid jobs, renting a shabby flat, being catcalled by her creepy neighbour, she dreams of being a writer. And then one day she meets Lavinia. Lavinia who has everything – looks, money, clothes, friends, an amazing apartment…Lavinia invites Louise into her charmed circle, takes her to the best underground speakeasies, the opera, shares her clothes, her drugs, her Uber account. Louise knows that this can''t last for ever, but just how far is she prepared to go to have this life? Or rather, to have Lavinia''s life?

'We're all now self-makers, whether we like it or not - and this witty, sceptical book is the thought-provoking story of how we got here' GUARDIAN'This funny, startling, insightful story of the selfie, from Dürer to the Kardashians, is a must read if you want to understand how we reinvent ourselves every time we reveal ourselves' PETER POMERANTSEVToday's defining celebrities have crafted public personae that walk the tightrope between authenticity and artificiality. Ordinary people now follow suit: lovingly tending our 'personal brands' for economic gain and self-expression alike.Instagram culture is part of a story that goes back centuries. The vision that we not only can but should 'make' our own selves to shape our own destiny is an inextricable part of the formation of the modern world.As traditional powers of pre-modernity - church and throne - waned, a new myth took their place: that of the 'self-made man', whose unique powers of personality - or canny self-presentation - give him not just the opportunity, but the obligation, to remake reality in the image of what he wants it to be.From the Renaissance genius to the Regency dandy, the American prophets of capitalism to the aspirational übermensch of European fascism, Hollywood's Golden Age to today's Silicon Valley, Self-Made takes us on a dazzling tour of modern history's most prominent self-makers, uncovering both self-making's liberatory power, and the dangers this idea can unleash.'Both revelatory and a warning about the ways that focus on the self distorts our individual lives and the broader society' FRANCIS FUKUYAMA

'We're all now self-makers, whether we like it or not - and this witty, sceptical book is the thought-provoking story of how we got here' GUARDIAN'This funny, startling, insightful story of the selfie, from Dürer to the Kardashians, is a must read if you want to understand how we reinvent ourselves every time we reveal ourselves' PETER POMERANTSEVToday's defining celebrities have crafted public personae that walk the tightrope between authenticity and artificiality. Ordinary people now follow suit: lovingly tending our 'personal brands' for economic gain and self-expression alike.Instagram culture is part of a story that goes back centuries. The vision that we not only can but should 'make' our own selves to shape our own destiny is an inextricable part of the formation of the modern world.As traditional powers of pre-modernity - church and throne - waned, a new myth took their place: that of the 'self-made man', whose unique powers of personality - or canny self-presentation - give him not just the opportunity, but the obligation, to remake reality in the image of what he wants it to be.From the Renaissance genius to the Regency dandy, the American prophets of capitalism to the aspirational übermensch of European fascism, Hollywood's Golden Age to today's Silicon Valley, Self-Made takes us on a dazzling tour of modern history's most prominent self-makers, uncovering both self-making's liberatory power, and the dangers this idea can unleash.'Both revelatory and a warning about the ways that focus on the self distorts our individual lives and the broader society' FRANCIS FUKUYAMA

'We're all now self-makers, whether we like it or not - and this witty, sceptical book is the thought-provoking story of how we got here'GUARDIAN'A fast-moving train of a book'NEW YORK TIMES'Gripping'TIMES LITERARY SUPPLEMENT'Funny, startling . . . a must read'PETER POMERANTSEV, author of This Is Not Propaganda'Revelatory'FRANCIS FUKUYAMA, author of The Origins of Political OrderAs the forces of social media and capitalism collide, cultivating our 'personal brands' has become the norm. But this phenomenon is not new: Instagram culture is part of a story that goes back centuries.From the Renaissance genius to the Regency dandy, Hollywood's Golden Age to today's Silicon Valley and reality TV stars, Self-Made takes us on a dazzling tour of modern history's most prominent self-makers, uncovering both self-making's liberatory power, and the dangers this idea can unleash.

In Strange Rites, Tara Isabella Burton takes a tour through contemporary American religiosity. As the once dominant totems of civic connection and civil discourse--traditional churches--continue to sink into obsolescence, people are looking elsewhere for the intensity and unity that religion once provided. We're making our own personal faiths - theistic or not - mixing and matching our spiritual, ritualistic, personal, and political practices in order to create our own bespoke religious selves. We're not just building new religions in 2019, we're buying them, from Gwyneth Paltrow's gospel of Goop, to the brilliantly cultish SoulCycle, to those who believe in their special destiny on Mars.In so doing, we're carrying on a longstanding American tradition of religious eclecticism, DIY-innovation and "unchurched" piety (and highly effective capitalism). Our era is not the dawn of American secularism, but rather a brand-bolstered resurgence of American pluralism, revved into overdrive by commerce and personalized algorithms, all to the tune of "Hallellujah"--America's most popular and spectacularly misunderstood wedding song.

In Strange Rites, Tara Isabella Burton takes a tour through contemporary American religiosity. As the once dominant totems of civic connection and civil discourse--traditional churches--continue to sink into obsolescence, people are looking elsewhere for the intensity and unity that religion once provided. We're making our own personal faiths - theistic or not - mixing and matching our spiritual, ritualistic, personal, and political practices in order to create our own bespoke religious selves. We're not just building new religions in 2019, we're buying them, from Gwyneth Paltrow's gospel of Goop, to the brilliantly cultish SoulCycle, to those who believe in their special destiny on Mars.In so doing, we're carrying on a longstanding American tradition of religious eclecticism, DIY-innovation and "unchurched" piety (and highly effective capitalism). Our era is not the dawn of American secularism, but rather a brand-bolstered resurgence of American pluralism, revved into overdrive by commerce and personalized algorithms, all to the tune of "Hallellujah"--America's most popular and spectacularly misunderstood wedding song.

“The Secret History meets The Price of Salt” (Vogue) in this “equal parts dangerous and delicious” (Entertainment Weekly) novel about queer desire, religious zealotry, and the hunger for transcendence among the members of a cultic chapel choir at a Maine boarding school—and the ambitious, terrifyingly charismatic girl that rules over them. When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the member of the choir. Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go. The World Cannot Give is a “hypnotic and intense” (Shondaland) meditation on the power, and danger, of wanting more from the world.

An “enchanting” (Caroline Kepnes, author of You) “fairy-tale-inflected thriller” (The New Yorker) about two sisters who encounter a captivating yet possibly dangerous underworld cult that challenges their perception of reality.Rose has come a long way. Raised—and often neglected—by a wayward mother in New York City’s chaotic bohemia, she has finally built the life she’s always wanted: a good job at a self-help startup, a clean apartment, an engagement to a stable if self-satisfied tech CEO who shares her faith in human potential, hard work, and the sacrifice of childish dreams. Rose’s sister Cecilia, on the other hand, never grew up. Irresponsible and impetuous, prone to jetting off to a European monastery one month and a falcon rescue the next, Cecilia has spent her life in pursuit of fairy-tale narratives of transcendence and true love—grand ideas Rose knows never work out in the real world. When Cecilia declares she’s come home to New York for good, following the ending of a whirlwind marriage, Rose hopes Cecilia might find a way to be ready to face adulthood: compromises and all. But then Cecilia gets involved with the Avalon: a cabaret troupe—one that appears only at night on a boat that travels New York’s waterways—and soon vanishes. The only way Rose can find Cecilia is by tracking down Avalon herself. But as Rose gets closer to solving the mystery of what happened to her sister, the Avalon works its magic on her, too. And the deeper she goes into the Avalon’s underworld, the more she begins to question everything she knows about her own life, and whether she’s willing to leave the real world behind.

“The Secret History meets The Price of Salt” (Vogue) in this “equal parts dangerous and delicious” (Entertainment Weekly) novel about queer desire, religious zealotry, and the hunger for transcendence among the members of a cultic chapel choir at a Maine boarding school—and the ambitious, terrifyingly charismatic girl that rules over them. When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the member of the choir. Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go. The World Cannot Give is a “hypnotic and intense” (Shondaland) meditation on the power, and danger, of wanting more from the world.

An “enchanting” (Caroline Kepnes, author of You) “fairy-tale-inflected thriller” (The New Yorker) about two sisters who encounter a captivating yet possibly dangerous underworld cult that challenges their perception of reality. A New Yorker Best Book of 2024Rose has come a long way. Raised—and often neglected—by a wayward mother in New York City’s chaotic bohemia, she has finally built the life she’s always wanted: a good job at a self-help startup, a clean apartment, an engagement to a stable if self-satisfied tech CEO who shares her faith in human potential, hard work, and the sacrifice of childish dreams. Rose’s sister Cecilia, on the other hand, never grew up. Irresponsible and impetuous, prone to jetting off to a European monastery one month and a falcon rescue the next, Cecilia has spent her life in pursuit of fairy-tale narratives of transcendence and true love—grand ideas Rose knows never work out in the real world. When Cecilia declares she’s come home to New York for good, following the ending of a whirlwind marriage, Rose hopes Cecilia might find a way to be ready to face adulthood: compromises and all. But then Cecilia gets involved with the Avalon: a cabaret troupe—one that appears only at night on a boat that travels New York’s waterways—and soon vanishes. The only way Rose can find Cecilia is by tracking down Avalon herself. But as Rose gets closer to solving the mystery of what happened to her sister, the Avalon works its magic on her, too. And the deeper she goes into the Avalon’s underworld, the more she begins to question everything she knows about her own life, and whether she’s willing to leave the real world behind.