Tatjana Pavlovic - Böcker

Examines crucial moments of transition in Spanish culture and society during both dictatorship and democracy.Focusing on Spanish culture and society in the second half of the twentieth century, Despotic Bodies and Transgressive Bodies traverses a variety of disciplines: literature, film studies, cultural studies, feminist theory, and history, to examine crucial moments of cultural transition. Beginning with an analysis of the period of autarky-Spain's economic, cultural, and ideological isolation under Francisco Franco's regime- Pavlović then explores the tumultuous passage to capitalism in the late 1950s and 1960s. She follows this by revisiting the complex political situation following Franco's death and points out the difficulties in Spain's transition from dictatorship to democracy. Combining a strong theoretical background with a detailed study of marginalized texts (La fiel infantería), genres (the Spanish comedy known as the comedia sexy celtibérica), and film directors (Jesús Franco), Pavlović reveals the construction of Spanish national identity through years of cultural tensions.

Examines crucial moments of transition in Spanish culture and society during both dictatorship and democracy.Focusing on Spanish culture and society in the second half of the twentieth century, Despotic Bodies and Transgressive Bodies traverses a variety of disciplines: literature, film studies, cultural studies, feminist theory, and history, to examine crucial moments of cultural transition. Beginning with an analysis of the period of autarky-Spain's economic, cultural, and ideological isolation under Francisco Franco's regime- Pavlović then explores the tumultuous passage to capitalism in the late 1950s and 1960s. She follows this by revisiting the complex political situation following Franco's death and points out the difficulties in Spain's transition from dictatorship to democracy. Combining a strong theoretical background with a detailed study of marginalized texts (La fiel infantería), genres (the Spanish comedy known as the comedia sexy celtibérica), and film directors (Jesús Franco), Pavlović reveals the construction of Spanish national identity through years of cultural tensions.

A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the fieldCombines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific filmsExplores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinemaCanonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actorsPresents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research

100 Years of Spanish Cinema provides an in-depth look at the most important movements, films, and directors of twentieth-century Spain from the silent era to the present day. A glossary of film terms provides definitions of essential technical, aesthetic, and historical termsFeatures a visual portfolio illustrating key points of many of the films analyzedIncludes a clear, concise timeline to help students quickly place films and genres in Spain’s political, economical, and historical contextsDiscusses over 20 films including Amor Que Mata, Un Chien Andalou, Viridana, El Verdugo, El Crimen de Cuenca, and  Pepi, Luci, Born

Recent years have witnessed a surge in publications on Spanish cinema and cultural studies, but the subject of consumer culture in Spain has been neglected until now. Mobile Nation presents the first systematic treatment of this crucial period during Spain’s transition to modernity and highlights the forces that converged during this dramatic decade to change the face of Spain. Drawing from the methodologies of literature, film studies, cultural studies, feminist theory, and history, Mobile Nation explores consumer culture in Spanish media, mass tourism, and the national automobile manufacturing industry from 1954 to 1964 and offers valuable insight to postmodern Spain’s transformation and trends.