Tatum Hands – författare

Risk is many things. It can invoke fun, temptation, or danger; it can be laced with uncertainty, fear, or hope. But most importantly for the design professions, risk is the engine of art and innovation. Complicating the risks inherent in every act of environmental design are two now dominant threats to humanity: climate change and social inequality, both of which are expected to make Earth a more volatile, dystopian planet. Risk reduction - under the rubric of resilience - is the new paradigm for landscape architecture and urbanism.

Paradisiacal, utopian, dystopian, heterotopian - islands hold an especially enigmatic and beguiling place in our imagination. Issue 07 of LA+ Journal brings you the results of the LA+ Imagination open international design ideas competition, in which designers were asked to create a new island. In addition to showcasing the winners and other interesting, unusual or surprising entries, LA+ Imagination features interviews with jurors James Corner, Richard Weller, Marion Weiss, Javier Arpa, Matthew Gandy and Mark Kingwell.

Time is ticking. That's what it does. Or at least that's how we represent what we don't understand. For physics, time is a byproduct of so called space-time, elastic goo created at the very moment that something came from nothing; the moment eternity stopped and the universe began. For geology, time is 4.5 billion years of compression and catastrophe. For biology time is 3.5 billion years of diversification and now the urgency of the sixth extinction. For anthropology time is 150 thousand years since mitochondrial Eve walked out of the rift valley in Ethiopia. For historians, time begins with Herodotus (484 BC) and ends, or rather doesn't, with Fukuyama's The End of History. For architecture time is ruination. For landscape architecture time is ephemerality, entropy, and growth. For all of us time is running out. Contents: Editorial by Richard Weller & Tatum L. Hands; Prisoners of Time by Mark Kingwell; Doing Time: The Art of Tehching Hseih by Tim Ingold; Territorializing Memory by Rodrigo de la O + David Escudero; Designing Dialectical Landscape by Ann Marie Schneider; Time for time by Noël van Dooren; The Consistency of Time by Valerio Morabito; Performing Drawing in Time by Fiona Harrisson + Marian Macken; Phase Shift: On Site-Specific Art In A Changing Environment by James Nisbet; Date, Painting by Daniel Rosenberg; Time, Trains, and Truth by Mark Raggat; The Circle of Time by Jock Gilbert; Three Kinds of Time in Ecological Science by Steward Pickett; Color = Space + Time by Mark Eischeild; The Time and Space to Die by Emma Sheppard-Simms; First in Time/First in Line by Casey Lance Brown; Time in Our Hands: Co-Designing a Better Anthropocene by Erle C. Ellis; The Timekeepers by Kathryn Gleason, Christophe Girot + Sonja Dümpelmann.

From the first utopian impulse of Plato's Republic to today's global border controls and public space surveillance systems, there has always been a tyrannical aspect to the organisation of society and the regulation of its spaces. Tyranny takes many forms, from the rigid barriers of military zones to the subtle ways in which landscape is used to 'naturalise' power. What are these forms and how do they function at different scales, in different cultures, and at different times in history? How are designers and other disciplines complicit in the manifestation of these varying forms of tyranny and how have they been able to subvert such political and ideological structures?

Issue 10 of LA+ Journal brings you the results of the LA+ Iconoclast open design ideas competition, in which we asked designers to reimagine New York's Central Park, fictionally devastated by eco-terrorists protesting the loss of the world's forests. See what designers did when faced with the opportunity to challenge this icon of landscape architecture. LA+ Iconoclast also features interviews with jurors Geoff Manaugh (BLDGBLOG), Jenny Osuldsen (Snøhetta), Charles Waldheim (Harvard GSD), Beatrice Galilee (The Met), Lola Shepard (Lateral Office), and Richard Weller (PennDesign), as well as a critique of competition entries by Julia Czerniak.

LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures.

The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today’s landscape. These essays radically expand the purview of landscape architecture.

LA+ Green explores the green spectrum from plants to politics and from art to science. Includes an interview with Noam Chomsky.

In this moment of seemingly compounding global crises and existential concerns about the future of the planet, LA+ pauses to consider the values and implications of speculation. How are speculative acts understood differently within specific disciplinary structures versus broader cultural perceptions? Whether employed as a means of influence, a method of production, a form of practice, a manner of inquiry, a way of seeing, or a motivating ideology, LA+ Speculation engages speculation and the speculative as world-shaping concepts worthy of deep and critical reflection. Guest edited by Christopher Marcinkoski with Javier Arpa Fernandez, and other contributors include: Merve Bedir, Casey Lance Brown, Stuart Candy, Paul Dobraszyk, Aroussiak Gabrielian, Daisy Ginsberg, Adrian Hawker, Souhei Imamu, Karen Lewis, Min Kyung Lee, Mpho Matsipa, Alexandra Sankova, Jonah Susskind, Ytasha Womak.

As well as showcasing the award-winning designs and a comprehensive Salon des Refusés, LA+ INTERRUPTION features interviews with jurors Fiona Raby, Martin Rein-Cano, Mark Raggatt, Rania Ghosn, and Jason Zhisen Ho, and an essay by Katya Crawford, coauthor of the The Design Competition in Landscape Architecture (forthcoming).