Temenuga Trifonova – författare
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26 produkter
26 produkter
Häftad, Engelska, 2019
664 kr
Skickas inom 10-15 vardagar
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
Inbunden, Engelska, 2008
2 561 kr
Skickas inom 10-15 vardagar
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
Häftad, Engelska, 2008
616 kr
Skickas inom 10-15 vardagar
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
E-bok
PDF, Engelska, 2025782 kr
Läs direkt efter köp
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siecle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.
E-bok
PDF, Engelska, 2025829 kr
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Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject - art in cinema, rather than the art of cinema - by considering films across genres, historical periods, and national cinemas in order to reflect on cinema's fluctuating imaginary of art and the art world. The book examines the intersection of art history with history in cinema; cinema's simultaneous affirmation and denigration of the idea of art as truth; the dominant, often contradictory ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.
E-bok
Engelska, 2025829 kr
Läs direkt efter köp
Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject - art in cinema, rather than the art of cinema - by considering films across genres, historical periods, and national cinemas in order to reflect on cinema's fluctuating imaginary of art and the art world. The book examines the intersection of art history with history in cinema; cinema's simultaneous affirmation and denigration of the idea of art as truth; the dominant, often contradictory ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.
E-bok
Engelska, 2025782 kr
Läs direkt efter köp
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siecle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.
E-bok
PDF, Engelska, 2025807 kr
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This book explores the new European cinema of precarity, with a particular focus on Western European films, by revisiting some of its most important precursors, including 1930s Popular Front films and 1990s French New Realism, Italian neorealism, and the British New Wave. It identifies dominant themes and motifs in contemporary films and their precursors, as well as important continuities and discontinuities between earlier and later representations of work, class, class struggle, solidarity, precarity, the moral economy of capitalism and neoliberalism and their affective pathologies. Trifonova examines the ways in which the cinema of precarity mediates economic and social capital in the age of neoliberalism and considers whether these films lend validity to Guy Standing's idea of the precariat as "e;the new dangerous class."e;
E-bok
Engelska, 2025805 kr
Läs direkt efter köp
This book explores the new European cinema of precarity, with a particular focus on Western European films, by revisiting some of its most important precursors, including 1930s Popular Front films and 1990s French New Realism, Italian neorealism, and the British New Wave. It identifies dominant themes and motifs in contemporary films and their precursors, as well as important continuities and discontinuities between earlier and later representations of work, class, class struggle, solidarity, precarity, the moral economy of capitalism and neoliberalism and their affective pathologies. Trifonova examines the ways in which the cinema of precarity mediates economic and social capital in the age of neoliberalism and considers whether these films lend validity to Guy Standing's idea of the precariat as "e;the new dangerous class."e;
Häftad, Engelska, 2026
717 kr
Kommande
This book explores the new European cinema of precarity, with a particular focus on Western European films, by revisiting some of its most important precursors, including 1930s Popular Front films and 1990s French New Realism, Italian neorealism, and the British New Wave. It identifies dominant themes and motifs in contemporary films and their precursors, as well as important continuities and discontinuities between earlier and later representations of work, class, class struggle, solidarity, precarity, the moral economy of capitalism and neoliberalism and their affective pathologies. Trifonova examines the ways in which the cinema of precarity mediates economic and social capital in the age of neoliberalism and considers whether these films lend validity to Guy Standing’s idea of the precariat as “the new dangerous class.”
Häftad, Engelska, 2025
699 kr
Skickas inom 10-15 vardagar
Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject – art in cinema, rather than the art of cinema – by considering films across genres, historical periods, and national cinemas in order to reflect on cinema's fluctuating imaginary of art and the art world. The book examines the intersection of art history with history in cinema; cinema’s simultaneous affirmation and denigration of the idea of art as truth; the dominant, often contradictory ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.
Häftad, Engelska, 2025
659 kr
Skickas inom 10-15 vardagar
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.
E-bok
Engelska, 2009688 kr
Läs direkt efter köp
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
E-bok
PDF, Engelska, 2009690 kr
Läs direkt efter köp
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
Inbunden, Engelska, 2017
2 412 kr
Skickas inom 10-15 vardagar
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
E-bok
Engelska, 2017790 kr
Läs direkt efter köp
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
E-bok
PDF, Engelska, 2017788 kr
Läs direkt efter köp
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
E-bok
PDF, Engelska, 2020484 kr
Läs direkt efter köp
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
E-bok
Engelska, 2020483 kr
Läs direkt efter köp
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Inbunden, Engelska, 2020
1 666 kr
Skickas inom 10-15 vardagar
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of ‘Europe’ and ‘European identity’ through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the ‘gap’ between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called ‘migrant and diasporic cinema’. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Häftad, Engelska, 2022
449 kr
Skickas inom 10-15 vardagar
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of ‘Europe’ and ‘European identity’ through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the ‘gap’ between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called ‘migrant and diasporic cinema’. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Häftad, Engelska, 2018
282 kr
Skickas inom 3-6 vardagar
Del 5 - Consciousness, Literature and the Arts
Image in French Philosophy
Häftad, Engelska, 2007
1 681 kr
Skickas inom 5-8 vardagar
The Image in French Philosophy challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a revival of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image. Insofar as the image was part of the discourse of subjectivity/representation, getting rid of the subject involved smuggling the concept of the image out of the discourse of subjectivity/representation into a newly revived and ethically flavored metaphysical discourse—a metaphysics of immanence, which was more interested in consciousness rather than subjectivity, in the inhuman rather than the human, in the virtual rather than the real, in Time rather than temporalization, in Memory rather than memory-images, in Imagination rather than images, in sum, in impersonal forces, de-personalizing experiences, states of dis-embodiment characterized by the breaking down of sensory-motor schemata (Bergson’s pure memory, Sartre’s image-consciousness, Deleuze’s time-image) or, more generally, in that which remains beyond representation i.e. beyond subjectivity (Lyotard’s sublime, Baudrillard’s fatal object). The book would be of interest to scholars and students of philosophy, aesthetics, and film theory.
Inbunden, Engelska, 2025
2 110 kr
Skickas inom 10-15 vardagar
This book explores the new European cinema of precarity, with a particular focus on Western European films, by revisiting some of its most important precursors, including 1930s Popular Front films and 1990s French New Realism, Italian neorealism, and the British New Wave.
Inbunden, Engelska, 2014
2 561 kr
Skickas inom 10-15 vardagar
An illuminating investigation on the depiction of madness from early horror films of the 20s and 30s to the proliferation of today's conspiracy thrillers.
Inbunden, Engelska, 2022
2 110 kr
Skickas inom 10-15 vardagar
The book examines the intersection of art history with history in cinema; cinema’s simultaneous affirmation and denigration of the idea of art as 'truth'; the dominant ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.