Terry Bennett – författare

Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam's capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country's fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845-1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.

Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam's capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country's fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845-1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.

Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845–1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.

Launched in December 1869 in direct competition to The Illustrated London News, (ILN) which first appeared in 1842, The Graphic set out to upstage its competitor through the quality and amount of its illustrations (including colour) and the paper it was printed on. Together, however, the two periodicals dominated nineteenth-century British journalism. With circulations far in excess of The Times, the extent of the news – including considerable foreign reporting – opinion and miscellaneous data of these two publications provides an invaluable resource for researchers and historians.As with the ILN, this complementary one-stop reference volume brings together the complete archive of all reports, features, illustrations and incidental commentaries relating to Japan from the first report of 5 February1870 discussing Japan’s recent civil war, the overthrow of the ‘Shiogoon or Tyocoon’, the restoration of the Emperor (Mikado) and a vindication of Britain’s ‘policy of firmness’ vis à vis Japan. Its concluding report on 16 December 1899 (the year of the ratification of the ending of the Unequal Treaties was concluded) notes: ‘No power in the world stands in a more delicate and difficult position than Japan does just now.’This volume of 400 pages includes an 8-page plate section featuring a selection of The Graphic’s colour printing relating to Japan, a full cross-referenced Index by J.E. Hoare, together with an historical perspective by former British Ambassador to Japan Sir Hugh Cortazzi and an introduction to The Graphic in the context of nineteenth-century media history by Terry Bennett.

In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence.

The must-have classic work on early Japanese photography!"Writer Bennett crafted this beautiful and educational book from a collection of 350 old and rare images captured by Western photographers. This book offers a glimpse of life in Japan during one of its most dramatic periods in history." —Shutterbug Magazine"The extensive collection of valuable photographs in this book and its text might be described as a visual record of our native land during that period, a record that has been lost to us since so many early photographs left Japan." —Message announcing Photography in Japan: 1853-1912 as the Winner of the 2007 International Award of the Photographic Society of JapanThis book presents a fascinating visual record of Japan and Japanese culture during its metamorphosis from a feudal society to a modern industrial nation—at a time when the art of photography was still in its infancy. The 350 rare images in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and the history of early Japanese photography. These images are vital in helping us to understand the dramatic changes occurring in Japanese society during this critical period.Taken between 1853 and 1912 by talented Japanese and foreign photographers, these photographs document the history of photography in Japan in a comprehensive and systematic way, with extensive information about the photographers as well as the people and subjects illustrated. The images, whether sensational or everyday, intimate or panoramic, document a nation on the brink of abandoning its traditional ways and entering the modern age.