Terry Keefe – författare

Violent Sidekicks in Modern American Crime Fiction Series: Hawk, Clete, Pike, Mouse, Bubba, Win examines six violent sidekicks in contemporary American novels authored by Robert Parker, James Lee Burke, Robert Crais, Walter Mosley, Dennis Lehane, and Harlan Coben. These popular, award-winning series derive from the hard-boiled tradition established in the USA from the 1920s, centrally featuring private detectives with their sidekicks as important secondary characters.The study analyzes the violent nature and conduct of each sidekick in turn, drawing comparisons and contrasts between them as well as with their detective counterparts. It examines the origins of their violence and its role in the novels, demonstrating that the sidekicks are remorseless and lacking in conscience, while detectives are somewhat less so. The violence committed is not always proportionate but is usually justified.This volume is an indispensable resource for researchers and advanced students engaging with genre studies, hard-boiled detective traditions, representations of violence, and the moral complexities of popular American narratives.

Violent Sidekicks in Modern American Crime Fiction Series: Hawk, Clete, Pike, Mouse, Bubba, Win examines six violent sidekicks in contemporary American novels authored by Robert Parker, James Lee Burke, Robert Crais, Walter Mosley, Dennis Lehane, and Harlan Coben. These popular, award-winning series derive from the hard-boiled tradition established in the USA from the 1920s, centrally featuring private detectives with their sidekicks as important secondary characters.The study analyzes the violent nature and conduct of each sidekick in turn, drawing comparisons and contrasts between them as well as with their detective counterparts. It examines the origins of their violence and its role in the novels, demonstrating that the sidekicks are remorseless and lacking in conscience, while detectives are somewhat less so. The violence committed is not always proportionate but is usually justified.This volume is an indispensable resource for researchers and advanced students engaging with genre studies, hard-boiled detective traditions, representations of violence, and the moral complexities of popular American narratives.

Violent Sidekicks in Modern American Crime Fiction Series: Hawk, Clete, Pike, Mouse, Bubba, Win examines six violent sidekicks in contemporary American novels authored by Robert Parker, James Lee Burke, Robert Crais, Walter Mosley, Dennis Lehane, and Harlan Coben. These popular, award-winning series derive from the hard-boiled tradition established in the USA from the 1920s, centrally featuring private detectives with their sidekicks as important secondary characters.The study analyzes the violent nature and conduct of each sidekick in turn, drawing comparisons and contrasts between them as well as with their detective counterparts. It examines the origins of their violence and its role in the novels, demonstrating that the sidekicks are remorseless and lacking in conscience, while detectives are somewhat less so. The violence committed is not always proportionate but is usually justified.This volume is an indispensable resource for researchers and advanced students engaging with genre studies, hard-boiled detective traditions, representations of violence, and the moral complexities of popular American narratives.

Passengers cancelling their tickets for Titanic’s maiden voyage out of apprehension; a famous social reformer who died on Titanic, warned in 1911 that he would be in danger from water in April 1912; inhabitants  of the remote islands of Fiji aware of the sinking before reports of the collision reached the Pacific; a dying girl who, on 14 April 1912, ‘sees’ a big ship sinking in the water and mysteriously knows the name of the violinist in Titanic’s orchestra.  These are just a few of the numerous claims to psychic foreknowledge of the ship's sinking.Within days of the widely-publicised disaster of 1912, stories began circulating of extraordinary omens and individuals who supposedly had supernatural premonitions of the disaster. Furthermore, four fictional works – one dating as far back as twenty-six years – came to be seen as anticipating the disaster. Between 1960 and 2006, five major commentators published extended analyses of the alleged premonitions, none of which is now easily accessible to an English readership. This book examines them all in detail. The whole treatment of the matter opens up fascinating questions concerning the paranormal, but also raises and leaves unresolved crucial issues specific to premonitions and how they can be legitimately examined. Readers are left to make their own judgement on Titanic premonitions.