Terry S. Childs – författare

Gold. Copper. Iron. Metal working in Africa has been the subject of both public lore and extensive archaeological investigation. Here, four of the leading contemporary researchers on this topic attempt to provide a complete synthesis of current debates and understandings: Where, how, and when was metal first introduced to the continent? How were iron and copper tools, implements, and objects used in everyday life, in trade, in political and cultural contexts? What role did metal objects play in the ideological systems of precolonial African peoples? Substantive chapters address the origins of metal working and the technology and the various uses and meanings of copper and iron. An ethnoarchaeological account in the words of a contemporary iron worker enriches the archaeological explanations. This book provides a comprehensive, timely summary of our current knowledge.

Gold. Copper. Iron. Metal working in Africa has been the subject of both public lore and extensive archaeological investigation. Here, four of the leading contemporary researchers on this topic attempt to provide a complete synthesis of current debates and understandings: Where, how, and when was metal first introduced to the continent? How were iron and copper tools, implements, and objects used in everyday life, in trade, in political and cultural contexts? What role did metal objects play in the ideological systems of precolonial African peoples? Substantive chapters address the origins of metal working and the technology and the various uses and meanings of copper and iron. An ethnoarchaeological account in the words of a contemporary iron worker enriches the archaeological explanations. This book provides a comprehensive, timely summary of our current knowledge.

Curation is rarely the first topic raised in an archaeological seminar or addressed in a fieldwork design. And, the authors point out, it is too rarely discussed at all. But the current crisis in repository space has increased awareness that the long-term conservation and preservation of the material remains and field notes of an archaeological project are as important as the finds themselves. Sullivan and Childs, two experienced archaeologists and museum professionals, provide an introductory guide to curation for archaeologists. Crucial to this process is the recognition of curation issues before the first day of fieldwork and continuous involvement of curators in the process throughout the archaeological project. The authors provide guidance on how to manage a collection, what to do with field notes and other project documents, how to find a repository for the collection, and how to adjust field practices so that the process runs smoothly. This brief, practical guide will be invaluable to all field archaeologists and their students, and to museum professionals who curate archaeological collections.