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398 kr
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Hanshan, which means Cold Mountain, was the pseudonym adopted by an unknown poet who lived in China as a hermit twelve hundred years ago. The poems collected under his name have had an immense impact worldwide, especially among Zen Buddhists, and have been translated into many languages. Peter Hobson's translation of more than a hundred of the poems, almost all of which are published for the first time in this volume, brings those qualities of timelessness, poetic diction and engaging rhythm that do justice to the concepts and language of the original. This edition includes not only a clear and succinct introduction for the general reader but also highly informative sections on Hanshan's place in history and on issues involved in translating Hanshan.
381 kr
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This beguiling book asks a set of unusual and fascinating questions—why is early Chinese printing so little acknowledged, despite anticipating Gutenberg by centuries? Why are the religious elements of all early printing overlooked? And why did printing in China not have the immediate obvious impact it did in Europe? T. H. Barrett, a leading scholar of medieval China, brings us the answers through the intriguing story of Empress Wu (AD 625–705) and the revolution in printing that occurred during her rule. Linking Asian and European history with substantial new research into Chinese sources, Barrett identifies methods of transmitting texts before printing and explains the historical context of seventh-century China. He explores the dynastic reasons behind Empress Wu’s specific interest in printing and the motivating role of her private religious beliefs. He also deduces from eighth- and ninth-century Chinese records an explanation for the lesser impact of the introduction of printing in China than in Europe. As Renaissance Europe was later astonished to learn of China’s achievement, so today’s reader will be fascinated by this engaging perspective on the history of printing and the technological superiority of Empress Wu’s China.