Theodore Levin – författare

This beautiful and informative book offers a detailed introduction to the musical heritage of Central Asia for readers and listeners worldwide. Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. A companion website (www.musicofcentralasia.org) provides access to some 189 audio and video examples, listening guides and study questions, and transliterations and translations of the performed texts. This generously illustrated book is supplemented with boxes and sidebars, musician profiles, and an illustrated glossary of musical instruments, making it an indispensable resource for both general readers and specialists. In addition, the enhanced ebook edition, which is so comprehensive it had to be split into two ebooks, contains 180 audio and video examples of Central Asian music and culture. A follow-along feature highlights the song lyrics in the text, as the audio samples play.

This beautiful and informative enhanced ebook—so comprehensive it had to be split into two volumes, ebook 1 and ebook 2—offers a detailed introduction to the musical heritage of Central Asia for readers and listeners worldwide. Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. This stunning electronic book allows readers the opportunity to deeply engage with source material through over 180 embedded audio and video, pop-up study questions, transliterations and translations of performed texts, and direct links to the companion website (www.musicofcentralasia.org). The audio and video examples include transliterations and translations of the performed texts and a follow-along feature highlights the song lyrics in the text, as the audio samples play. This generously illustrated book is supplemented with boxes and sidebars, musician profiles, and an illustrated glossary of musical instruments, making it an indispensable resource for both general readers and specialists.Ebook 1 includes part I, "Music and Culture in Central Asia," an introductory overview of the music and musical instruments of Central Asia, and part II, "The Nomadic World," which focuses on music and musical life in historically nomadic regions of Central Asia. Ebook 2 contains part III, "The World of Sedentary Dwellers," which focuses on music and musical life in historically settled regions of Central Asia, and part IV, "Central Asian Music in the Age of Globalization," which addresses "the future of the past," focusing on cultural revitalization and renewal, tradition-based popular music, and contemporary music inspired but not constrained by tradition.

This beautiful and informative enhanced ebook—so comprehensive it had to be split into two volumes, ebook 1 and ebook 2—offers a detailed introduction to the musical heritage of Central Asia for readers and listeners worldwide. Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. This stunning electronic book allows readers the opportunity to deeply engage with source material through over 180 embedded audio and video, pop-up study questions, transliterations and translations of performed texts, and direct links to the companion website (www.musicofcentralasia.org). The audio and video examples include transliterations and translations of the performed texts and a follow-along feature highlights the song lyrics in the text, as the audio samples play. This generously illustrated book is supplemented with boxes and sidebars, musician profiles, and an illustrated glossary of musical instruments, making it an indispensable resource for both general readers and specialists.Ebook 1 includes part I, "Music and Culture in Central Asia," an introductory overview of the music and musical instruments of Central Asia, and part II, "The Nomadic World," which focuses on music and musical life in historically nomadic regions of Central Asia. Ebook 2 contains part III, "The World of Sedentary Dwellers," which focuses on music and musical life in historically settled regions of Central Asia, and part IV, "Central Asian Music in the Age of Globalization," which addresses "the future of the past," focusing on cultural revitalization and renewal, tradition-based popular music, and contemporary music inspired but not constrained by tradition.

Theodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.

Musical Argonauts of Central Asia tells the story of the Aga Khan Music Programme (AKMP) and its sustained efforts to revitalize Central Asian musical heritage in the wake of seven decades of Soviet rule.Theodore Levin, who worked with the program since its inception, offers an insider's account of how the AKMP's development tactics and strategies were formulated and their outcomes assessed. In doing so, Levin addresses fundamental questions about the power of music and what NGOs can do to help shape music's social impact: In what sense are music, musicians, and musical life amenable to interventions by a development organization? What do such interventions contribute to the quality of life of their beneficiaries? And what does an ethical development intervention in music look like? In chronicling the work of the AKMP, Levin establishes the bona fides of a type of institutional cultural activism that isn't captured by rubrics such as applied ethnomusicology, public folklore, and safeguarding intangible cultural heritage.Featuring case studies of country-specific interventions in Kyrgyzstan and Tajikistan, Musical Argonauts of Central Asia provides a practical roadmap for aspiring activist ethnomusicologists and folklorists that models best practices, analyzes failures, and advocates for the role that ethnographers can and should play in international development organizations.

Musical Argonauts of Central Asia tells the story of the Aga Khan Music Programme (AKMP) and its sustained efforts to revitalize Central Asian musical heritage in the wake of seven decades of Soviet rule.Theodore Levin, who worked with the program since its inception, offers an insider's account of how the AKMP's development tactics and strategies were formulated and their outcomes assessed. In doing so, Levin addresses fundamental questions about the power of music and what NGOs can do to help shape music's social impact: In what sense are music, musicians, and musical life amenable to interventions by a development organization? What do such interventions contribute to the quality of life of their beneficiaries? And what does an ethical development intervention in music look like? In chronicling the work of the AKMP, Levin establishes the bona fides of a type of institutional cultural activism that isn't captured by rubrics such as applied ethnomusicology, public folklore, and safeguarding intangible cultural heritage.Featuring case studies of country-specific interventions in Kyrgyzstan and Tajikistan, Musical Argonauts of Central Asia provides a practical roadmap for aspiring activist ethnomusicologists and folklorists that models best practices, analyzes failures, and advocates for the role that ethnographers can and should play in international development organizations.

Japanese and Korean are typologically similar, with linguistic phenomena in one often having counterparts in the other. The Japanese/Korean Linguistics Conference provides a forum for the comparative study of these languages. The papers in the volumes are from the twenty-second and twenty-third conferences. They include essays on the phonology, morphology, syntax, semantics, historical linguistics, discourse analysis, prosody, and psycholinguistics of both languages.