Thomas A. Klug – författare

The innovative countercultural movement from one of the most notable twentieth-century presses.In this long-awaited book, Rebecca Kosick chronicles the rise, work, and legacy of the Alternative Press, a grassroots art and poetry publishing initiative founded in 1969 in Detroit, Michigan. Operated by Ken and Ann Mikolowski out of their home, the Alternative Press published original countercultural artwork and poetry by nationally renowned artists, including Alice Notley, Victor Hernández Cruz, and Robert Creeley, and Detroit-based powerhouse artists, such as Jim Gustafson, Donna Brook, Ray Johnson, and John Sinclair. The postcards, bumper stickers, bookmarks, and broadsides produced by the Alternative Press circulated among poets, creatives, and subscribers across the United States. Kosick's research reanimates the Alternative Press's unconventional publications with more than one hundred full-color images, while illuminating the national impact their avant-garde interventions had at the intersection of politics, art, and life in the twentieth century.

The architectural legacy of Albert Kahn established on the global stage.In this new authoritative biography, author Chris Meister brings a fresh perspective to the legacy of internationally renowned Detroit architect Albert Kahn, utilizing a broad range of newly seen archival resources. In Detroit, Kahn's daylight factories and commercial designs have shaped the distinctive workplaces and streetscapes of the city. Placing Kahn's design and production of iconic architecture—like the Belle Isle Aquarium & Horticultural Building as well as the Fisher Building—alongside less-heralded projects, Meister outlines how Kahn's ingenuity and broad networks cultivated the spread of his influence through his advocacy of daylight in traditionally dark working environments. Beyond Detroit, Meister addresses the complicated global impact of Kahn's work by highlighting his pragmatic approach to architectural design and his involvement in fraught projects such as the plants designed for the USSR in Europe's interwar period. This exploration of Kahn's dynamic career establishes the architect as a vital figure for the global development of architectural modernism and to twentieth-century economic and political history.